Virtue and Community in Beowulf VIRTUE AND COMMUNITY IN BEOWULF Beowulf is the oldest surviving piece of Literature in English. Beowulf would be hard for the modern English speaking speaker to read because the Anglo-Saxon spoke in Britain before the Norman Conquest of 1066. Beowulf is recognized as a piece of epic British and English culture. Beowulf is written in Britain it is about Scandinavia-Danish and Swedish warriors. Beowulf has many different theories about its composition, but it is thought to be partly from oral culture of Anglo-Saxon Britain.
The author uses allusion usually to describe protagonist Scott Hudson’s interest of reading. Allusion is the making reference to other novels, myths, etc. He makes inferences to books like Ender’s Game, To Kill a Mockingbird, Kubla Khan, The Waltz, The Princess Bride, The Adventures of Sherlock Holmes, The Outsiders and many more. Allusion creates an understanding of the plot because it is vitally descriptive of some of the rising action leading up to action and falling action leading to resolution. Without allusion, some of those actions would not make as much sense because they are not open to as much reference.
Lovely bride!” bring the story into the present tense and the use of short sentences make the words more powerful. Also the phrase “She hurried at his words…” gives the reader a sense of time- by using a mixture of dialogue and the author saying that someone has spoken gives the poem more depth, showing that some points are more relevant than others. Keats did this as to point the reader at the points which create the story. The phrase “’Hark! ‘tis an elfin-storm from faery land…” has a bit of ambiguity about it.
One of the major similarities between these two books is the writing style, although The Droughtlanders and Awakenings both use an omniscient style of narration, the number of perspectives is different. For instance, in The Droughtlanders there are two, and in a few instances, three perspectives, whereas in Awakenings you have many more. The further you read, the more these increase, after starting with approximately four perspectives in the early chapters. The omniscient writing style in both of these books really conveys the true intentions of the characters that could otherwise not be seen. Both authors have made a great use of this particular narrative point of view.
Hautman's writing style is quite straight-forward, occasionally humorous, and attention-grabbing. Surrounding an array of thoughts and ideas that are bound to echo with its readers, and by re-examining important events in the history of humankind and their ripple effect on our lives makes it even more better, it's a thoughtful, detailed and absolutely unforgettable story. His writing incorporates many different ideas from his other books, and his stories have many chapters with few pages. I have read many novels by different authors, but I haven’t read this good a novel from any author except Pete
Literary Trait Comparison of The Sound Of Thunder and Nethergrave Ray Bradbury’s, “The Sound of Thunder,” and Gloria Skurzynski’s story, “Nethergrave” are two good works of science fiction. They both develop their stories through the use of technology, which is the key element in any science fiction story. In Skurzynki’s, Nethergrave, a boy named Jeremy chooses a virtual world over the real world because in reality he feels clumsy, bullied, uncomfortable and alone (Skurzynki, 314-324). In Bradbury’s, The Sound of Thunder, we meet Eckels, a man who views himself as the ultimate hunter and decides to go on a time travel safari to shoot a Tyrannosaurs Rex but when faced with the reality of the beast, he becomes terrified and flees. As he scrambles away he goes off the Path and changes the course of history, and in turn, the future forever (Bradbury, 288-300).
A Reality Check With the use of symbolism, Aldous Huxley creates a beautiful novel that in essence warns his audience of the future. Huxley’s clever use of symbols in the Brave New World, is often apparent, but just as often, they are deeper and less apparent. With his satirical references to sex, drugs, technology and the naming of his characters, Huxley relates his novel back to his readers and their future. Without recognizing these symbols, the readers could find this novel confusing and ridiculous; but with each symbolic object and person comes a clearer picture of what Huxley us really trying to convey. When reading the Brave New World, the sexual references are often the first things that stand out to the audience.
The symbolism of the holocaust is engaging as fairy-tales are always considered to have a happy ending but using such a dark topical matter which seems to have no happy outcomes is able to surprise the audience and to keep them reading as the audience is waiting to see the “Happily ever after” (pg. 239). Yolen has used topical/subject matter and intertextuality to great effect to produce a novel which is engaging and intriguing to the
Tess Dorsey 2-3 pg. Essay The Great Gatsby What is it to be a great writer? Is it to simply have a great story…or is there more? To be a truly effective writer or even just a simple story teller; you need substance. A sense of being that will draw the reader or listener in, as if they themselves were in the story, helping them to feel the surroundings of the character within the pages of the book.
The ancient Greek epic tradition was an oral-formulaic tradition. In oral-formulaic traditions, generations of poet performers develop a special poetic language that consists of a vast number of metrical phrases (formulae) and longer story elements (themes or type-scenes) out of which long narrative poems are extemporaneously constructed. Although this technique may seem restrictive and eliminating originality, in fact, the poets were able to use many of the same literary devices used by modern novelists. Techniques For the Odyssey to be the well-known story that it is today, Homer's telling of the Odyssey must have been well worth listening to. One of the characteristics of a good story, now as then, is that the audience is captivated, glued to their seats, so to speak.