Check this A+ tutorial guideline at http://www.assignmentcloud.com/eng-225-ash/eng-225-week-1-dq-1-effective-use-of-aesthetic-choices-new Effective Use of Aesthetic Choices. Think about how you watch film and how the aesthetic elements work together to create meaning for the viewer audience. Some of the important elements to consider are: editing, cinematography, and lighting. Analyze each of these aesthetic choices by following the instructions below. Editing: visual transitions between shots that work to move the story forward.
According to The Batsford Dictionary of Drama genre is a” subcategory of an art form, with its own codes and conventions.”(Hodgson 1988:149:149).The Academic Dictionary of Drama on the other hand explains genre as “the general type or form of a literary work…” (Pandey 2005:107). Genre can also be seen as “…a type of theatre, distinguished by unique constellation of music, dance, acting and play forms and techniques” (Trapido 1985:339). According to the Dictionary of Media studies, genre is “the category or type into which a film or text falls” (Unknown 2006:100). One must look at these statements critically and realize that each film is unique and has only similarities to other films which make it fall under the same category such as the Western. “ So it seems that genre is not quite the natural or certain idea that it
* Paragraph One: Topic Sentence- One Main Idea- Image is a way to portray emotions of the characters and their contexts. An example of a key image –discuss this in detail (Quotations). Further Analysis…. . Embed the techniques and link back to the thesis and sum up the first paragraph.
Rudy, Personality Theory This paper will discuss a fictional character from a film. There are several types of fictional characters who can be used in comparison to a present situation. Therefore, a careful selection of a character will first take place, and then the details of this character are introduced so they can be analyzed and compared to theories by well known theorists. It is vital to view all the thinking from all theorists available to appropriately analyze each character. The paper will go into detail discussing the theorists such as Alfred Adler and Albert Ellis explaining their theories and how they would analyze the fictional character.
Short story to Film Compare and Contrast The Killers vs. It had to be Murder Short story to Film A film adaptation consists of a derivative work such as a novel or play that is then integrated and turned into a screenplay for a short or major motion picture film. In a novel characters can be build up upon incidents and dramatizations that can be familiarized and spoken to the readers. In order for a film to capture the character arches on screen, dialogue, a sense of the character, and the actions that take place must be used in order for the audience to receive the same feeling and message that the novel pushed across. Two world renown short stories, “The Killers,” by Ernest Hemingway and “It had to be Murder,” by Cornell Woolrich, are original novels that were later then adapted into major motion pictures.
How does the mise-en-scene within the opening sequence of Sixth Sense (1999) set up the narrative expectations for the remainder of the film? Mise-en-scene is a term that was first introduced by the French film critic Andre Bazin and means “putting into the scene” (Bordwell and Thompson, 2008). Mise-en-scene has many elements to it .The three aspects of mise-en-scene I will be looking at are the following lighting, figure expression, and settings. There are many other aspects to mise-en-scene but I will be touching on these three in my analysis of how they play a role within the opening sequence of Sixth Sense to set up a narrative expectation for the remainder of the film. To start off my analysis I shall start with lighting and how M.Night Shymalan incorporates it into the film to set up a narrative expectation.
In doing so I will extrapolate on the ideas of the initial article and reveal the ways in which Kazan uses the formal qualities of the film to reinforce the ideas. Given the three-act narrative structure of On the Waterfront, I want to look closely at a number of sequences from each act. From the opening sequence in which Terry Malloy (Marlon Brando) is complicit with the corrupt (Act 1), to his emerging understanding of the corruption characterised by his growing ambivalence (Act 2), to the fight for ‘rights’ (Act 3), the film is rich in its imagery, dialogue and design. There is a careful fusion of all these cinematic elements in the ways that the narrative of conscience, confession and catharsis is played out. For example, throughout the film a strong sense of place is evoked.
The structure of a film has a great impact on the reaction from the viewers. There are two main aspects of a film that make it have the reaction from audiences. One is the director style which contains everything the directors choose to do to make the film flow like a book. There are directors who are known as auteurs. This is when people brainstorm on film ideas of their own and basically does everything from writing the script and picking their own actors to supervising the writing to make sure it is to their standards.
This is made clear though the director’s use of [film technique and detail of the technique – eg what we’re seeing or hearing in the shot or sequence].Therefore/Thus/Clearly/evidently [vary those words for each paragraph] a new experience can result in …. [restate words of the question!!] IMPORTANT NOTE: SOMEWHERE IN THAT PARAGRAPH IT’S GOOD TO DRAW ATTENTION TO A SIMILARITY OR DIFFERENCE BETWEEN THE NOVEL AND THE FILM. YOU CAN ADD THIS REFERENCE ALMOST
CST1FA Melda Gonen Student No. 17368276 Topic: “How do elements of mise en scene and sound relate to the larger narrative functions of the scene and the film?” There are certain elements that are used to help develop a narrative. Throughout films people often ask questions, as to why certain actors are dressed the way they are, or why certain surroundings look the way they do, a director purposely dresses characters in different ways and sets up scenes in particular surroundings. Directors classify this under mise en scene, which involves everything placed into a scene; another way they set up their narrative is through sound, to instigate emotions and different feelings within an audience. A film that demonstrates the way these elements work to set up a narrative is ‘Rebel without a cause’, by Nicholas Ray.