1) Describe the three basic types of music heard in original scores during the silent film era and cites specific examples from The Birth of a Nation. (10 points) There are three basic types of music heard in original scores during the silent film era: adaptations of classics, arrangement of tunes, and newly composed music. An adaptation of classics is the substantial borrowing of another work. It is usually used in dramatic scenes; like the use of the Ride of the Valkyries that was used during the ride of the Ku Klux Klan. An arrangement of tunes is is the reconception of an existing tune and is normally used to set the mood and show emotions.
Bob Fosse was the Director/choreographer who not only brought to Cabaret an interesting background and storyline, but folded the big musical numbers into the Kit Kat Club’s performances to better illustrate and emphasize the plot. John Kander was the music composer and Fred Ebb wrote the lyrics for both this movie and the 1966 Broadway Musical stage play. They wrote several new songs just for the film version. John van Burek was the playwright who adapted Joe Masteroff’s, 1966 book, Cabaret, for the stage. The film portrays the life of an American singer, Sally Bowles, who sings at the Kit-Kat Club in 1930s Berlin where she falls in love with bi-sexual Brian Roberts, a naïve Englishman who has just arrived in Berlin.
He drew copious inspiration from his radio. Terrence McNally took his afflatus and constructed a model of the opera. His scenes were regarded as “more than real life.” (McNally) An extensive body of work has stemmed from Terrence McNally’s early musings. Because his parents, Dorothy Rapp McNally and Hubert Arthur were native New Yorkers, Terrence was introduced to theatre from a young age. Eventually, he enrolled in Columbia University as an English major.
Andrew Kim Mrs. Elrod 10th Grade G/AC March 6, 2012 Literary Analysis Essay In the play, “Antigone,” Creon’s view of justice is morally wrong. He lets his pride and authority get in his way of his judgment. Creon was stubborn and did seek change until the death of his family. After his downfall, he finds the understanding of justice. Creon is sorry for what he was done, he repents, but it is already too late.
On the repeat, the soloist joins the orchestra.) VOCAL MUSIC OF THE CLASSICAL PERIOD OPERA 1) 2) 3) 4) DRAMA THAT IS SUNG IT COMBINES VOCAL AND INSTRUMENTAL MUSIC WITH PEOTRY AND DRAMA, ACTING AND PANTOMIME, SCENERY AND COSTUMES IT USES A) SOLOISTS B) ENSEMBLES C) CHORUS D) ORCHESTRA E) SOMETIMES DANCING ELEMENTS OF OPERA A) RECITATIVE (EXPLANATIONS NECESSARY TO THE PLOT) B) ARIA (RELEASES THE EMOTIONAL TENSION. THIS IS WHERE THE SINGER SHOWS OFF THEIR VIRTUOSITY C) OVERTURE (USUALLY BEGINS OPERA AND NEW ACTS D) INTERLUDES (KNOWN AS SINFONIAS DURING PERIODBOCCUR BETWEEN SCENES) E) LIBRETTOBTHE WORDS SUNG DURING THE OPERA WERE WRITTEN BY ANOTHER PERSON CALLED A LIBRETTIST) ORATORIO 1) 2) 3) 4) 5) DESCENDED FROM THE RELIGIOUS PLAY-WITH-MUSIC FIRST ONES WERE SACRED OPERAS LATER ONES LEFT THE STAGE LARGE SCALE MUSICAL WORKS (GENERALLY BASED ON A BIBLICAL STORY) PERFORMED IN A CHURCH OR HALL WITHOUT SCENERY, ACTING, OR COSTUMES
Maaz Fatmi : Ms.Storrod Maaz Fatmi : Ms.Storrod Sweet Charity Essay Music Due:January 19, 2012 Sweet Charity Essay Music Due:January 19, 2012 The Essay A remarkable musical of the 20th century was Sweet Charity. In this essay I will be analyzing the theatrical background of the musical. This essay will consist of the plot, main characters and background information of some of the people who helped to make this musical possible. I will also be giving a review of the musical talking about what I liked and whether I would recommend this musical for others to watch. Sweet Charity played for 608 performances on Broadway at the Palace Theatre starring Gwen Verdon, John McMartin, Helen Gallagher and Thelma Oliver.
Mentioning where an individual sleeps conveys their innocence when an individual sleeps they are no longer in control and their mind takes over, they are innocent of their actions. Shakespeare demonstrates that when an individual destroys family ties they also damage innocence, the Secret Life of Bees mirrors the sense of familiar betrayal. Bythewood demonstrates the human need of an individual to have a connection beyond memory, this is conveyed through Lily speaking to her mother in heaven, "bet my hair must have annoyed you when it went off in 11 different directions." The use of speaking to her mother through her religion demonstrate her purity and innocence. T-Ray, Lily's father betrays her through lies, "god damn woman didn't give a shit about you".
When he criticized his daughter wrongly, he learns later on in the story about how senseless he was to judge his daughter blindly for the reason that he couldn't see her true identity. He rejects Cordelia in the beginning and then learns from this mistake after she dies, realizing her worth after she is killed. Lear hated Cordelia because he was hurt by her words, but at the end, he thinks her death is the worst possible thing that could have ever occurred. In the play King Lear by William Shakespeare, Lear learns from making some serious mistakes in how to become a insightful human being, which propels him to have a greater understanding of others. His suffering makes him understand what man really feels
Four shows were featured in “Show Business- The Road to Broadway”, including Wicked, Avenue Q, Taboo, and Caroline, or Change. Each production with its own plot and story, which we learn are two very different things. Plot, is the show its self. It refers to the script, and the story that it tells, while the production’s story refers to the road a cast and crew travels while creating and performing a show. Wicked is a musical based off of a novel written by Gregory Maguire, titled “Wicked- The Life and Times of the Wicked Witch of the West.” The Novel corresponded with the ever popular story of the Wizard of Oz, but rather than following Dorothy and Glinda, it followed the life of Elphaba, the wicked witch of the west, and her choices.
The music for Gone with the Wind is the paradigm of the Classic Hollywood film score, and the music for Citizen Kane represents, like the film as a whole, a departure. The classic Hollywood style is defined by the following features: wall-to-wall music, music scored for symphony orchestras, a Post-Romantic style, employed well-known melodies which have a full range of emotions and reflect drama, and used leitmotifs which tend to be full melodies. A specific example of this in Gone with the Wind is evident in the use of the “Tara Theme” which is the Principal theme of the film. It is heard in the opening credits and in the film with the mentioning of Tara which was Scarlet’s