Othello says to her “It gives me wonder great as my content to see you here before me. O my soul’s joy!” (2.1.199-200). These beautiful and loving words are soon changed to hostility and rage with the thought of Desdemona’s betrayal. Both Desdemona and Hero are accused of being unfaithful through presented “ocular proof”, they are both disgraced by the leading male role, and they are young and inexperienced in the ways of love and both women are extremely forgiving after they have been mistreated by their suitors. Much Ado about Nothing was written by William Shakespeare as a comedy, but it could have very well been turned into a tragedy comparable to Othello.
Iago feels that the best way to do so is by manipulating Othello telling him that his wife is cheating on him with Cassio, who Iago coincidently hates as well. Iago reveals, “That thinks men honest that but seem to be so, and will as tenderly be led by the nose as asses are. I have ‘t. it is sengender’d. Hell and night must bring this monstrous birth to the worlds light” (Shakespeare 1.
‘Men were deceivers ever.’ To what extent can it be argued that Shakespeare’s presentation of men’s attitudes to women in ‘Much Ado about Nothing’ allows for comedy? In Much Ado about Nothing, it can be equally argued that men’s attitudes towards women are actually used for comedy purposes, and it can be argued that their attitudes aren’t. For this argument, the relationship between Beatrice and Benedick at the start of the play can be seen as comical to the audience, as they both claim to dislike each other and take pleasure in making rude remarks to one another. On the other hand, the relationship between Hero and Claudio could be seen as quite dark to the audience, as there are accusations and trust issues between the two. The quote ‘men were deceivers ever’ comes from Act 2 Scene 3 of the play, from the song that Balthasar sings.
That in turn scares people because of the fact that someone might reveal that Caucasians believed that they were the superior race and the belief in "White Supremacy, African inferiority." In history Africans have been mistreated all through history, so I still think that white are dominating now but the minorities are taking over slowly but surely. This novel attacks reality from different points of view and in the process shows that Africans put up with the treatment because they think they lost the battle. It could have been used as a form of prevent discrimination
Racism: Othello and LWT Film One of the main overarching themes in both Shakespeare’s original play of Othello and the LWT modern film appropriation is of racial discrimination. During the Elizabethan era, which is the context that the original play is set in, black people were considered to be alien to white society and were thought to be driven by passions and emotions instead of reason and intellect as white people were thought to be. They were believed to be imbalanced and dangerous and were hence labeled second-class citizens. Othello is a moor and is therefore an exceptional example of the discrimination black people received during this era, however is an unusual instance due to his high rank in the army. Throughout the play, animal imagery such as “an old ram”, “Barbary horse” and “beast with two backs” is used to describe Othello, which portray the racist attitudes held by society of the time and highlights the belief that black people were animalistic and therefore acted on emotions, lacking rational thought, like animals.
From the very beginning of the play, Benedick and Beatrice’s attitude toward each other is a superb representation of this theme of deceit. The two menacingly fight with each other; both determined to better the other. In this “merry war” of witty insults, they are both deceiving themselves into believing they feel nothing for one another. This self-deception becomes even more obvious in masked ball scene, Act 2, Scene 1, in which Shakespeare uses physical deception by having Benedick disguise himself at the party. Benedick’s desire to know what Beatrice truly thinks of him is a sign of the love he feels for her, yet has chosen to not yet acknowledge it, even to himself.
Why does Iago hate Othello? Go deep on this one Iago’s gay and loves Othello From the beginning Shakespeare sets up Emilia and Iagos rocky relationship. “You rise play, and go to bed to work,” Iago is completely degrading and twisted toward women. Emilia responds to Iago by saying “You shall no write my praise.” Iago portrays strong negative feelings toward women which is portrayed through his actions. Iago’s murder of Emilia could also come from the general hatred of women that he displays.
He has smiled his way into people’s hearts; I have been obliged to fight my way.” Booker T. Washington made this powerful statement about one of the most controversial African Americans in history, Edgar “Bert” Williams. Bert Williams is an incredibly influential person in the history of acting. Many people may disagree with this statement. Instead of viewing Bert as influential, they might see him as controversial. Both Williams’ use of black stereotypes and participation in the “blackface” type of acting were considered negative and racist ways of portraying black people during this time period.
Shakespeare’s Challenge of “Black” in Othello During the seventeenth century, in England, dark-skinned Africans became affiliated with negative connotations associated with the word “black” due to the ideologies the English assigned to dark skin. In Shakespeare’s Othello he does not stray from the negativity associated with the word “black.” Throughout the play, Othello is deemed “a moor,” defined in terms of this seventeenth century racial slur, and any time the word “black” is mentioned it is in association with something evil or, dirty, and invoked in opposition to qualities that are deemed fair or pure. This contrast establishes the idea that anything dark carries these negative qualities, but more importantly dark-skinned people in general maligned as evil. Throughout Othello, Shakespeare continuously reinforces the idea of Othello being “the other, ” ultimately justifying characters’ many abusive and cruel descriptions of him. The stereotypical and overzealous descriptions of Othello create a vivid picture of how Africans were regarded in the seventeenth century.
By saying these words to her he is crassly calling her a harlot, and making to appear that he never really loved her. Ophelia made one decision and that was to love Hamlet, and now he is using her actions to make her feel inferior and sinful. Up to this point in the play, Shakespeare depicted Hamlet as a mad man hell-bent on avenging his fathers suspect death, however: his cruel outburst at Ophelia is not a turning point in the story in which he goes from being a hero to being a cold-hearted oppressor. Hamlet tells Ophelia that she will have to ‘marry a fool’ because ‘wise men’ would know better than to marry her; he yells at her ‘get thee to a nunnery’, and yet the way it fits into the plot makes it seem almost expected. As the plot progresses Ophelia begins to lose her mind, resulting in her eventually suicide, but at no point his Hamlet called out for his harsh words against her in a significant way.