Shakespeare on Screen : Early Modern Gender Roles

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6) How do Shakespeare films engage with early modern ideologies of gender and sexuality? Early modern ideologies of sexuality and gender can be found throughout film adaptations of Shakespeare’s plays. Through examining Franco Zefferelli’s Romeo and Juliet and Kenneth Branagh’s Much Ado About Nothing, an understanding of early modern gender and sexuality can be attained. With regards to gender roles of this period, it can be assumed that the world of Shakespeare’s plays is predominantly male dominated where females have a lesser role. To an extent this is true, but with the arrival of Queen Elizabeth I to the throne of England an appreciation of female empowerment became more popular among writers and their audience. This is true for Shakespeare who not only writes strong female characters but was also not afraid to add effeminate traits to his male characters. In their films, Zeffirelli and Branagh both implement these remarkable traits to their films. As well as an insight to the gender roles of this period, these films also give an insight to the importance of sexuality at this time. In Romeo and Juliet, sexuality is explored from the young lover’s perspectives for the first time. Zeffirelli, without going into too much detail, also explores a homosexual relationship in his film. In Branagh’s Much Ado About Nothing, he explores a more mature look n sexuality in contrast to the association of youth and sexuality found in Romeo and Juliet. In his book, Looking for Sex in Shakespeare, Stanley Wells states “the meanings of art are stimulated and guided by the mind of the artist but exist finally only in the minds of those who experience them.” This ideology seems to have played an influence with the directors of the adapted versions of these plays. Romeo and Juliet provides an insight to early modern gender roles. With regards to the males of the film, Zeffirelli
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