With people tormenting her about her cousins who were teen moms, or her father who made a fool of his drunken self in public, the poor girl felt like nothing more than dirt, and she wanted to be thought of as flawless and beautiful. Edith dreamed of being a celebrity, she wished to be a perfect girl, and to live in a perfect world "in which only married women had babies, and in which men and women stayed married forever." The shacks in which Eddie grew up were less than desirable, and supposedly thought of as contemptible, by people of a higher social class. When Edith moved to the boarding house, with set meal times, she was quite ashamed to think of how people living in the shacks didn't have meal times, they simply found any food they could and ate by themselves when they were hungry. The potato-chip plant that Eddie worked at
• ‘You aint ruined’ – sense that she is envious that the other farm girl can be no naive (could remind herself of her). Now she is seen as a second class citizen and cannot marry or have a family because she is married • ‘You blue and bleak face could’ - unhealthy because she is unhappy because she has no life or status DIDNT TAKE WHAT THEY WERE DOING SERIOUSLY • Although the reader is like to feel sorry for the poet, ‘we played’ tells us that she saw her loves as a game. Could suggest that she liked all the attention. • She saw them as toys too, ‘my hurdy gurdy monkey men’ • Now she realises what she has done wrong and is has set in she still shows now sign of sorrow, ‘o you didn’t know I’d been ruined’ the breezy tone is heavily ironic. • ‘You aint ruined’ – suggesting she was like her and wanted all these clothes and privileges
In both poems gender conflict is demonstrated between through the emotion of betrayal in a relationship. For example in Les Grands Seignurs she talks about “little woman” which could show the great depth of thought about how she feels towards men. The word “a toy, a plaything” suggests that’s once she got married she has became powerless and feels like she is a toy, this shows her betrayal as when you get married you expect the marriage to be fantastic and not to feel like a toy. In contrast, Medusa also demonstrates this when she says “wasn’t I beautiful?” this Is effective as I can infer that she feels insecure about her looks. It also suggests that she misses her past through the use of a rhetorical question which makes the reader feel sympathy for her.
In the times John Steinbeck lived in women were not held in high regard but they were just present to serve men. However, they still tried to yearn for a better future by exploiting men. The character Curley's wife in the novel is a victim of society and her dream. She is married to Curley who neglects her and so because of her loneliness she is always seeking attention. She wears too much makeup and dresses like a "whore"
She is the daughter of a high priest of santería and helps guide Felicia to the religion. Luz and Milagro Villaverde: Luz and Milagro are the twin daughters of Felicia and Hugo Villaverde, and they are the granddaughters of Celia and Jorge. They resent their mother due to her madness, and they secretly slip away to visit their father. They are closer to each other than they are to anyone else, and Luz generally speaks for the pair. Ivanito Villaverde: Ivanito is the youngest child of Felicia and Hugo Villaverde, and grandson of Celia and Jorge.
Nanny took care of Janie really well and loved her. Nanny’s only desire was to marry Janie to a man of social status and a man that can provide her safety. This was Nanny’s definition of safety for Janie because Nanny herself when she was a slave was raped by her master, abused by the master’s mistress, and Janie’s mother was raped by her Teacher. Nanny marries Janie off to an older but wealthy man, Logan Killicks after she finds Janie kissing a local boy. After Janie moves in with Logan she feels miserable and finds no love for Willicks.
This is an early indication of his firm disapproval of, bordering on disgust at, Curley’s wife. Later in the extract he dismisses her as a “tramp” and reinforce the idea that she is little more than an object to be owned by stating “So that’s what Curley picks for a wife.” Lennie, in contrast, is more ‘appreciative’ with his “fascinated” eyes that “moved down over her body” causing Curley’s wife to subconsciously react: “she bridled a little”. Unlike George, he falls for her
Therefore, Maria was an innocent victim of the French corruption that nicknamed her Madame Deficit despite she often gave examples of almsgiving. As Campan observed in her Memoirs of Maria Antoinette, when she married the dauphin, Maria Antoinette was a frightened adolescence who had to defend herself from the enemies of the court. And it was exactly “the mistreatment undergo everyday that made her decide to enjoy life, organize parties, look beautiful and avoid the senseless rule of the French etiquette.”12 Those logical wishes for a 19 year old were used by pamphlets as a way to damage even more the reputation of Maria Antoinette. In fact they exaggerated by assuring that “in one day Maria was able to spend more money than a thousand peasants living in Paris.”13 This was a pure calumny. Though it must be admitted that when Maria Antoinette became queen she refused to understand the privileges that came with the position, she was not the responsible for the poverty and the high inflation of France.
With the absence of her husband, Hester is left to face society on her own, and makes decisions along the way that shape her development in her life. Due to her desire of the reverend Dimmesdale, she chooses to make love to the man who she longs for, and yet in the pursuit of happiness, she condemns herself to a life of agony and perseverance. In Benjamin Killbourn's analysis of the symbolic scarlet letter in Shame Conflicts in The Scarlet Letter, he points out the symbolic meaning of what the true scarlet letter is, Hester's daughter Pearl. "Hester Prynne wears her letter “A” gaudily embroidered, and views Pearl as giving meaning to life—and to shame" (Killbourn 4). This embodied sin of Hester follows her wherever she travels to, just as the actual embroidered letter sticks with Hester.
In Eudora Welty’s “Why I live at P.O.”, Sister, the narrator, tries to alter the viewpoints of the reader to shape their interpretations to match the bias and the animosity towards the family. People often allow their perceptions to be influenced by a self-serving bias that can jade the depth of reality. In her reality, Sister is the victim that gets ridiculed by her family especially her sister Stella-Rondo whom she harbors a jealousy. Sister claims her life was “fine” before Stella-Rondo shows up and interrupts everything. She describes Stella-Rondo be inconsistent and unstable based on her being spoiled when they were children.