Role of Music in Casablanca

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The Role of Music in Casablanca Casablanca was a great American movie that came out in 1942. The American film institute rates Casablanca as America’s second greatest film, next to Citizen Kane. This movie’s music plays a critical role in developing characters in the movie. The film’s music was done by Max Steiner. This war time film was the story of events happening in a café, in French Morocco, owned by an American named Rick, which was a famous hangout place for European refugees. Max Steiner has done a great job in the selection of music in this film. The film contains plenty of borrowed music, predominantly American popular music except for “Knock on Wood”, which was a creation for this film. The movie starts showing a map of Africa and Arabia. This territory is being shown in the film by an Arabian theme that reinforces and establishes the locale. We can hear a stirring statement of the “La Marseillaise” when the opening credits are shown in the beginning of the film. Steiner uses this to remind the viewers the French control of Morocco. This ends with a sour chord, coinciding with the director Michael Curtiz’s name to support the narrator’s description of dark days for Europe. A narrator also describes the journey people go through to come to Casablanca, and this was supported by repeated dissonant chords. This music adds well to show the viewers the weariness of this dangerous journey. In the next series of events, it shows how a man is being shot trying to escape and he’s holding a Free France flyer. Max tries to symbolize this sad scene of the French national by playing “La Marseillaise”, the French national anthem, in minor mode to show the sad state of free France. Next, Max Steiner uses his music to show the viewers the humor of the pick pocketing scene by a trombone slide. Again, a refugee theme is played on the set when the incoming plane appears

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