Shakespeare’s plays have demonstrated the battle between good and evil in various ways. Macbeth, one of his most famous works, has been heralded as a prime example of this battle between good and evil through the use of imagery of light and darkness. Firstly, light imagery illustrates the nobility of person. Next, one’s purity can be easily stained by darkness. Finally, the use of dark imagery symbolizes the true and final stage of evil.
His very existence is for the destruction of the truly innocent. In religious terms the devil is the ruler of the underworld and can see into everyone’s thoughts and manipulate them into temptation. A Shakespearean audience would be fully aware of this due to the fact that they were considerably religious during the period the play was written and performed in. We see that Iago has devilish qualities about his character in the way he manipulates other into essentially doing his dirty work for him. The clever technique Shakespeare uses allows al the characters to perceive Iago as ‘honest’ and quite pure and heavenly like.
In the beginning Poe uses “Prince Prospero” as an allusion to The Tempest and the Bible. According to Cheney Prince Prospero becomes an anti-hero, as an image of a man misusing his will as he attempts to shape reality; the “Red Death” becomes an anti-Christ,” and image of the cosmic force conspiring man’s failure. Charmingly Prince Prospero’s masquerade does not intimately unite earth to heaven, but intimately unites earth to “death” (Cheney). In the end the masquerade is not a new Eden, but a “valley of the shadow of death” (Cheney). Poe uses many things to describe symbolism in “The Masque of the Red Death”.
Antonio is comparable to Lucifer. Antonio seeks glory for himself by usurping his title from his brother, much like Lucifer steals Faustus' control over his own thoughts. Antonio continues his labor for power by endeavoring to induce Sebastian to kill his brother for the kingdom of Naples. Lucifer clings to his power by continuously preventing Faustus from returning to God at crucial points in the story. Although in the end of The Tempest, Antonio does not prevail, Lucifer does triumph in Dr. Faustus.
12. How might the saying "misery loves company" apply to Satan's attitude? (264-270) It applies because Satan want those who is just like him to join
Nathaniel Hawthorne’s short story “Young Goodman Brown” follows a Puritan man’s nightmarish encounter with the devil, which results in the loss his faith and virtue. Flannery O’Connor’s tale “A Good Man Is Hard to Find” details how a southern grandmother is only able to discover what it truly means to be good when she is faced with imminent death. Both texts showcase the classic battle of good versus evil, and provide altering viewpoints on the possible outcomes of this faceoff. The stories by Hawthorne and O’Connor both tell the tale of what occurs when a seemingly righteous and faithful person is faced with a character of pure evil, though the stories’ starkly contrasting settings and tones build each story in a different direction. Although the themes of the stories are strikingly similar, the difference in setting helps to shape how the encounter between good and evil plays out.
Satan and his minions have corrupted the minds of those people who listen to his deceptive ideas so as to continue their hell-based schemes. In relation to the end-time situation it is prophesied by our Lord Jesus Christ that "Because of the increase of wickedness, the love of most will grow coldâ¦. "(Matthew 24:12). Like St. Peter, we must accept Jesus as the Son of the Living God and experience the citizenship of heaven kingdom while living on this planet earth (Mathew
“Powers & Principalities.” Commonweal (2011): 14-17.Academic Search Premier.Web.21 Mar.2013. The author explores the modern concept of devil. He argues that author C.S Lewis has perpetuated the modern caricature of evil in his novel “The Srewtape Letters” through the real goals was to set evil within the terms of Christian apologetics. He also observes that in several motion pictures, such as “The Devil Wears Proda” evil is personified less as a cosmic power battling God for sovereignty than as a small-time dealer in individual favors as the source of humorous mischief. The Devil is no joke.
Seamus Heaney’s translation of the epic poem “Beowulf” successfully explores the reconciliation of Christian, mythological and Pagan influences. It analyses the text’s depiction of the archetypal hero and it’s symbol allusions through the indeterminable battle between Good and Evil, the concept of Fate, and the ‘superhuman’ within a mortal realm. Beowulf utilises poetic themes of religion in the way it manages to blend pagan and Christian morals and values and displace paradoxical notions. Heaney manages to combine his Christian perception of the loving but demanding virtues of an all-powerful and Judgmental God with the insane futility of the Germanic’s thirst for vengeance. Myth helped define the ancestral Germanic people’s existence, in
The idea of the witches representing manifestation of human desires is a key element as they can be seen as the “alcohol” that “hinders performance”; they stimulate Macbeths desire to be king to such an extent that his own “black” desires cause his ultimate demise. His drive to be King is to some extent ironic as the medieval ages perceived the King to be a representative of God. This creates a sense of irony due to the fact that Macbeth befriends the representatives of the Devil, believes their predictions and commits great sins in order to gain power as a representative of God. To some extent it can also be said that