Rhetoric of Documentary Film: Super Size Me

3640 Words15 Pages
Rhetoric of Documentary Film: Super Size Me Introduction Super Size Me is an example of the way filmmaker’s use documentary to communicate a message about the historical world in which we occupy (Nichols xiv). Filmmaker Morgan Spurlock uses Super Size Me as a means to artistically inform and persuade his audience to address personal responsibility versus corporate responsibility as it pertains to obesity in America. This essay will address three ways in which Super Size Me effectively does this: sound and imagery, knowledge of audience predisposition, and modes of representation. More specifically, this essay examines the expository and participatory modes of representation. Film Summary Before examining the aesthetics of the film it is important to give a brief summary. In his award winning film Super Size Me, director Morgan Spurlock turns his body into a fast-food waste land to illustrate the consequences of eating fast food. In the opening scenes of his film, Spurlock says that obesity has become second only to smoking as a preventable cause of death in the United States. “What’s more, the national weight gain over the past half-century coincides with the rise of major fast-food outlets” (Chattaway 1). In trying to find any connection between these two, he eats nothing but McDonalds three times a day for thirty days. He consumes nothing, not even water, unless it comes from a McDonalds drive-thru, over the counter, or is dropped off by a delivery boy (1). In addition, he restricts his physical activity to that of an average American. According to the film, the average American takes approximately 2,500 steps a day. As a resident of New York City, Spurlock’s typical steps per day far exceed that number. He decides that taxi-cabs are a necessity if he wants to keep his physical activity true to that of the average American. Furthermore,

More about Rhetoric of Documentary Film: Super Size Me

Open Document