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A Sunday Afternoon on the Island of La Grande

Introduction

Georges Seurat (Paris 2 December 1859 - Paris 29 March 1891), French painter, pioneer of pointillism and divisionism that can be qualified as impressionism science. Genre painter, figures, portraits, landscapes, cartoons and landscapes were his specialty. Signac also commented on the importance of colour purity in a pointillist piece: "I attach more and more importance to the purity of the brushstroke - I try to give it maximum purity and intensity. Any defiling sleight of hand or smearing disgusts me. When one can paint with jewels, why use? Each time that my brushstroke happens to come up against another, not yet dry, and this mixture produces a dirty tone, I feel great physical disgust! It is this passion for beautiful colours which make us paint as we do...and not the love of the 'dot', as foolish people say." Signac states here that the pointillist artists were not physically into their paintings for the "dot" as most people would think (Ever dell, 2008).

The Techniques of the Painter

During its brief existence, the painter cerebral, cultured, sophisticated, beyond the immediacy with determination "romantic" painting that gives the impressionist painting to develop a method based on precise scientific laws and revolutionize the concept of figurative art. His problem is to find a link between art and science and, more specifically, between painting, physiology and psychology of perfection. The theory of Seurat's painting is based on optics, or more precisely on a concept called "pointillism." This is based on the idea that light due to the combination of several colours, and therefore a set of colour dots can juxtaposed, observed from a distance, recompose the unity of tone and make light with the vibration of advantage of accuracy. Georges Seurat was particularly inspired by research that the French chemist Eugene Chevreul was conducted on restoration of tapestries, and in particular has...

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