Realism Within Animation: Disney, Avery & Jones

3122 Words13 Pages
Introduction In this essay I will consider the characteristics and principles of the Classical Hollywood Narrative Film Structure with reference to the concept of realism within animation, particularly in the feature length work of Disney. I will compare and contrast the work of Disney and Chuck Jones as well as Tex Avery. I will refer to genre, the notion of the auteur, and the representation of race, gender and violence. In preparation for writing this essay I watched numerous films, almost all of which were the work of Disney, Chuck Jones and Tex Avery. I also browsed numerous websites and read through several books on animation. In this essay, I will talk examine Disney’s feature length animations both old and more recent. I will observe how they mastered the classical Hollywood narrative structure from the offset and how they defined the fairytale genre for the big screen. I will compare Disney’s hyper-realistic approach to film making with the shorter, more flexible works of Warner Bros. (Chuck Jones & Tex Avery). There is no better place to begin than with the release of the single most important and key film of all time in American movie history. Produced and directed by D. W. Griffith's, The Birth of a Nation (a domestic melodrama/epic) was released in 1915 and was almost 3 hours in length. It was a controversial, explicitly racist, but landmark American film masterpiece. It contained many new cinematic innovations and refinements, technical effects and artistic advancements. The Birth of a Nation used many revolutionary techniques such as “the close-up”, “wide angle establishing shots” & “medium shots” as well as “cross-cutting” or “parallel editing”. It was the most profitable film for over two decades, until Disney's Snow White and the Seven Dwarfs (1937). By this time the Hollywood studio system was firmly in place. There were five big

More about Realism Within Animation: Disney, Avery & Jones

Open Document