Portrayal of Women in Shyam Benegal’s Films

1061 Words5 Pages
It is widely believed that cinema reflects the social environment from which it springs. It also plays an important role in shaping of public opinion and is believed to have the most widespread reach. Of late, there seems to be a renewed interest in the problems faced by women. This is perhaps a direct fallout the unfortunate Delhi gang rape incident. However, there is one particular individual who has tried dedicated himself in bringing forth the conditions and problems faced by Indian women in a convincing and sensitive manner, and that person is none other than the acclaimed director, Shyam Benegal. The portrayal of the ‘Indian woman’ in mainstream Indian cinema over the decades has been stereotypical at best. They are generally supposed to be second-class citizens, groomed to be obedient wives rather than independent individuals. A good marriage is supposed to be their ultimate goal. Even in cases where the wife is the major bread-winner, she is seldom the head of the family. Things may be changing in urban India, where women are increasingly conscious of their rights, but the winds of change do not blow strongly enough in the rural areas, nor among lower-income groups. The Indian woman must continue to practice that noble virtue to which she is traditionally so accustomed: patience, as she fulfils her secondary, subsidiary, supporting role. Benegal has been very critical of the portrayal of the Indian woman in Indian mainstream cinema and felt that “it was time that one looked at women in the way that they actually are.” Benegal’s films are devoid of all the superficial glitz and glamour that one associates with Bollywood cinema. In fact his films are more bent on exploring issues of caste, religion, and gender, weaving in stories of Partition and subtly pointing to repressive social conventions.Allied to his commentary on modernity and social
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