Pied Beauty – by G. M. Hopkins
G. M. Hopkins is known for his complex poetic structure, which to today’s reader is ingenious. In his poem “Pied Beauty”, for example, he uses unconventional poetic structure, innovated complex words and adjectives and varied literary devices to inspire a sense of awe and wonder at the dappled things found in nature. The beauty that he speaks of in his poem is not the general definition of beauty, but a specific one: “Pied” beauty. This poem is dedicated to admire all colourful vibrant things found in nature. Hence, the language in the poem is unique and vibrant itself as though to match the beauty of all dappled things.
Hopkins is evidently engrossed by the handsomeness of all multicoloured, mottled and freckled things in nature. To express this fascination, Hopkins writes his entire sonnet as one extended sentence: A stretched list of all the exquisite variegated things in nature, starting with the “skies of couple colour” to end with all things “addazle” and “dim”, mentioning numerous things in between. It is the fact that it is all written as one lengthy sentence that conveys the poet’s excitement about writing this particular poem to praise the pied wonders of nature; it expresses his pleasure at writing about such marvelous creations. This sonnet however, is no conventional one, as it is shorter than regular sonnets and ends with a sentence composed of just two words “Praise him”. This unconventionality is a statement by the poet that in the name of the elegance and glamour of these divine creations of God, all conventional forms of poetry may be ignored due to their abundant beauty.
Because of this immense loveliness of the dappled things, Hopkins sees the need to invent complex words and adjectives, as ordinary adjectives are in no place to truly capture the essence of the couple coloured things in nature. Words like...