Perilous Art Essay

1182 Words5 Pages
John Shepherd
Monday, September 27, 2010
1101 – C13
Professor Jones
Perilous Art

Art has continued to be a source of fascination throughout history. Echelons of scholars have dedicated their lives to studying the progression, application and customs of art. However, art has always been a concern for people because of the multiple ways in which a single piece of work can be interpreted. Humans are quite susceptible to subliminal influence, which is part of the reason for the feelings of apprehension toward art and those who seek to use art for less than noble means. Plato and James Harold, two men of vastly different origins and upbringings, agree that art can be dangerous. Art is potent, influential, and at times overwhelming, but it is the misuse and misapplication of such power that makes art dangerous.
The growing concern of negatively influential art has recently begun to draw even further attention than Plato imagined due to media technology. Plato is known to have warned against the subtle yet potent influences that art is capable of harboring. The most powerful weapon art has in its arsenal is the ability to extract different sensations and responses from its audience. Art is artificial in nature, yet it has the capability to procure genuine reactions, such as pity, sorrow, hatred, awe, and violence from the audience. Consider this: What is a hero? According to the Meriam Webster, a hero is “a person who, in the opinion of others, has heroic qualities or has performed a heroic act and is regarded as a model or ideal…” (“Hero” def 1). One would not easily disagree with such a statement, and yet many people will idealize a figure as a hero even if he is a villain to the core of his being. In this aspect, art, or the portrayal of people through art, is dangerous. James Harold addresses this ironic phenomenon of liking the unlikeable in his essay “A Moral
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