Paying Attention to the References to Women in Act 1, Scene 2, Analyse How Far the Tempest Is in Fact Dependent Upon the Agency of Women

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The Tempest is a unique romantic comedy, due to it’s original plotline, written by Shakespeare around 1910 and is thought to have been his last play before his death in 1616. In this essay I will explore and analyse the characters of Miranda and Sycorax, the only female characters in The Tempest. I will also pay particular attention to references in Act 1, scene 2. The main female character in Act 1, scene 2 of The Tempest is Miranda. ‘Miranda, Prospero’s [teenage] daughter whose name means ‘wonderful, to be wondered at’ […] has no knowledge of other human beings. Educated on the island by her father, she is innocent and docile- but she is also mature and sexually aware’ (Shakespeare, The Tempest, Oxford School Shakespeare, Leading Characters in the Play). Her immense amount of compassion is apparent all throughout the play but especially in Act 1, scene 2 which begins with Miranda voicing her distress at her father’s ‘magic’ causing a ship to sink. Although her father attempts to reassure her, “Tell your piteous heart There’s no harm done.” (1.2.13-14), she still fears for the victims on the ship and uses emotive syntax to persuade her father to help them, such as: “The sky, it seems, would pour down stinking pitch, But that the sea, mounting to th’ welkin’s cheek, Dashes the fire out.” (1.2.3-5) “The cry did knock Against my very heart-” (1.2.8-9). She even goes as far as to declare: “Had I been any god of power, I would Have sunk the sea within the earth or ere” (1.2.10) And though she feels empathy for those in the shipwreck due to her father’s sorcery, she does not lack sympathy for Prospero when he reveals to her the tale of his treacherous brother, Antonio. She voices her indigence repeatedly during his account, i.e. “O, my heart bleeds…” (1.2.64), “Your tale sir would cure deafness.” (1.2.106),

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