Jealousy in Othello results in the tragic ending like in the beginning of the play, Iago was jealoused of Cassio because he wanted to get Cassio’s position as a lieutenant, Rogerigo was jealoused of Othello because Desdemona loves Othello and not him and Othello was jealoused of Cassio because he thought that Cassio loves Desdemona more than him. Roderigo was jealoused of Othello because Desdemona loves Othello and not him. He was willing to do anything to win her love. It is the jealousy which moves him to do many evil things in the play. He gave a large amount of money to Iago to get Desdemona but he failed.
Othello then sees and claims Iago to be ‘honest’ throughout the play and believing all the lies that is told to him. This shows that Othello was not responsible for the bulk of the tragedy but being very gullible and not thinking twice for his actions towards his surroundings and helping Iago’s plan for revenge. Quoted by Iago in Act 3 Scene 3, “Men should be what they seem”, gives the irony of illusion and reality. There is an extensive jealousy with Othello and thinking Desdemona is having an affair with Cassio using the napkin Othello gave to Desdemona as the symbol between them, building a chaotic wrath inside
Romeo is talking in paradoxes; he does this to emphasize that love is confusing. He says that love is everything except for what it actually is. Since Romeo thinks that he is in love although no one loves him, love can be two things that are opposites at the same time. Although Romeo is happy to be in love, he does not like the thought of love itself because if no one loves him back, love will become more confusing. Romeo is hopelessly in love with Rosalind which he explains when he says, "I am too sore enpiercèd with his shaft To soar with his light feathers, and so bound, I cannot bound a pitch above dull woe.
In his soliloquy in Act 2 Scene 2 Line 380 he’s especially brutal towards Desdemona in his plans showing no shame what so ever. Othello exhibits a part of humans that is able to be tempted and deceived. While a good man at the start, Shakespeare uses this as a template to bring out the green-eyed monster of jealousy in Othello, as an attempt to highlight that quality in each of us. The dream speech in Act 3 Scene 3 Line 466 is where we see Iago makes this happen. As Iago ends Act 1 with his soliloquy, we become sure that dishonesty is one of his most revered qualities.
Statement: ''According to Aristotle, the tragic hero should not be entirely good nor evil. Instead, he should possess a fatal flaw, which will incite pity and fear in the audience. Critics are divided about Othello. Some feel that he is flawless, while others think that he is too easily moved to jealousy. What is your view on the matter?''
Iago from Shakespeare’s play Othello is also a power hungry villain who enjoys having people under his control, he is driven by extreme jealousy and the motivation, revenge. In order to accomplish these goals he manipulates his subjects in deceiving ways by utilizing their weaknesses against them. This differs from the Duke in “My last Duchess” by Robert Browning as the duke does not manipulate people in any way. Both Iago and the duke are driven by extreme jealousy to the villainous actions that they take. All three villains may differ in many ways, yet it seems they share a common urge for power, control and a use of sadistic measures.
Iago, who is known as the Machiavellian villain perpetuates the tragedy by bringing forward a hamartia or a fatal flaw from Othello. As soon as the play begins, Shakespeare used dramatic irony to illustrate Othello’s view of Iago as an honest and trustworthy man through his repeated description of “honest Iago” and “a man of exceeding honesty” to the audience. Of course that is not the case, the audience views Iago to be “Janus-faced” and deceptive through his constant declaration of “I am not what I am” and how he “hates the moor”. This juxtaposition is created so that the audience can empathise with Othello. I know I can definitely empathise with him.
Jealousy 2: Brabantio is partially jealous of the Moor for stealing his daughter's love. He no longer may be the most important man in Desdemona's life. Furthermore, Roderigo is in love with Desdemona, and is slightly jealous of her relationship with Othello. Jealousy 3: The lovesick Roderigo has trouble with his hidden feelings for Desdemona and is jealous watching the two in love. He follows Iago's directions easily, perhaps partially because of his jealousy of Othello's relationship with Desdemona.
Willy Russell uses superiority theory to engage the audience by creating comedy through the misfortune of others. The character of Frank is very cynical as he fails to see the good in anybody for a majority of the play and he believes that other people are motivated purely by self-interest. However, some people may argue that cruelty and cynicism are not at the heart of the comedy in the play and that the play could still be successful without these themes. One theme that could be seen as superior to cruelty and cynicism is culture and class because this theme causes confusion and misunderstanding between the two characters which as a result produces comedy. In the play ‘Educating Rita’ cruelty and cynicism feature a great deal.
Reasonable Eccentric Behavior of Dorian Gray . In the book, The Picture of Dorian Gray, Dorian Gray is a handsome and proper man, but on the inside he is full of madness, guilt and misery. Initially he’s a melodramatic and petulant young man , but after realizing his true morals –his life skews toward the futile side. Instead of fixing his life, he lives for the pursuit of pleasure which makes him indifferent. Although his actions are very insane, they can be seen as rational to reader considering hedonism.