The art form known as Opera had originated in Italy in the early sixteenth and seventeenth centuries, even though it put the squeeze on older traditions of medieval and Renaissance courtly entertainment. The word opera, meaning "work" in Italian, was first used in the modern musical and theatrical sense in 1639 and soon spread to the other European languages. The earliest operas were unassertive productions compared to other Renaissance forms of sung drama, but they soon became more extravagant and took on the remarkable staging of the earlier genre known as intermedio. The earliest operas, including Claudio Monteveredi’s Orpheus were performed in private theatres at the courts of nobility and royals. The first public opera house opened in Venice, Italy in 1637, and by the eighteenth century public doors began charging the public for admission into these opera houses.
People should be able to decide what they want and don’t want to read. Throughout the years, books like, “The Adventure of Huckleberry Finn” and “The Catcher in the Rye” have been ridiculed for the way they are written, and the solution is already there and movie ratings are a step to how books should be determined. Huck Finn is, to this day, treated with malevolence for its extensive use of the “N” word. There is certain indignation for the people trying to censor this book, but the books uses that word to show time period and emphasize character. The novel has much to
Dido’s Lament The Baroque period was a significant turning point for music; it began to be a separate form of art and not purely based in religion. The use of Recitative and Aria became a critical key factor to the development of opera, and is clearly used in “Dido and Aeneas” by Purcell. To enhance the characteristics of the Baroque opera, many techniques for manipulating Pitch, Duration and Dynamics were used. With these techniques it created more emphasis of the text with the use of word painting and string instruments. Throughout this piece the Recitative of the song is mainly sung in speech form, creating emphasis on specific parts of the text.
- Baroque had a negative connotation: It signified distortion, excess, and extravagance... except when we get to Vivaldi and Bach. -The Doctrine of Affections held that different musical moods could and should be used to influence the emotions, or affections of the listener. -Musicians spoke of the need to dramatize the text yet maintain a single effection--be it rage, revenge, sorrow, joy, or love--from beginning to end of a piace. - The single most important new genre to emerge in the Baroque period was opera. - The Baroque gave rise to a remarkable variety of musical style, ranging from the expressive monody of Claudio monteverdi (1567-1643) to the complex polyphony of J.S.
There are many other differences between Charles Frazier’s novel Cold Mountain and Anthony Minghella’s movie based upon the novel, I have only chosen a few. The key difference that I find interesting is the way the novel ends compared to that of the movie, there is no mentioning of love or thought for Inman in the novel while the movie portrays Ada as having a hard time be able to forget his presence. These differences are important because they can change how the audience perceives the novel in comparison to the
Regan Coseni Mme Poliquin English – EAE 4U 11/11/11 Critical Review of Hamlet Films, Act 3: Zeffirelli vs. Branagh There are numerous different portrayals of William Shakespeare’s “Hamlet”, whether they are in the form of films, books or theatrical plays, they are all better than the other in different aspects and for specific reasons. In this critical review, we will make a comparison of Act 3 between Franco Zeffirelli’s film version of “Hamlet” starring Mel Gibson and Kennith Branagh’s film version of “Hamlet” starring Branagh, himself. First, as far as faithfulness to sequence and language in comparison to the original written version of Act 3, Branagh’s is pretty well identical in both senses. On the other hand, Zeffirelli’s version switches a few things up. To start with, in the original version as well as Branagh’s version of “Hamlet”, the “To be or not to be” soliloquy comes before Hamlets encounter with Ophelia, where as in Zeffirelli’s version of the play, Hamlet’s “To be or not to be” soliloquy comes after the scene where he speaks with Ophelia.
What plays might it be compared to? What is the effect of mingling comedyand tragedy in the same play?9. Bertold Brecht was one of the great innovators of the twentieth-century stage because of his "epic theater"; manycritics have seen a similarity between Brecht and Wilder's works, and this despite the fact that their politicalviews are very different from each other. Read Brecht's Mother Courage (also a war play) and discuss howBrecht and Wilder use non-realistic staging. What are the similarities?
Occasionally, composer simply borrowed popular tunes, but more often, they wrote original themes with a popular character. Classical melodies often sound balanced and symmetrical because they are frequently made up of two phrases of the same length. The second phrase, in such melodies, may begin like the first, but it will end more conclusively and it will be easier to sing. Dynamics and the piano - The Classical composers' interest in expressing shades of emotion led to the widespread use of gradual dynamic change - crescendo (gradually getting louder) and diminuendo ( gradually getting softer). The end of basso continuo - The basso continuo was gradually abandoned during the classical period.
Music SA #3 The Baroque period saw many changes in music elements, styles, instrument craftsmanship, composer’s roles in societies and it saw the rise in opera. Opera is a dramatic production sung throughout. Opera changed the musical scene, as people knew it. Before this period performance music was mostly used in religious settings or for the very rich or noble classes. The composers of opera were trying to reproduce what they thought was classical Greek theater.
In both plays Shakespeare explores the ideas of love at first sight, everlasting love, love being able to overcome anything and lust. Both Plays contain similar ideas and themes however since "Romeo And Juliet" is categorised as a tragedy and "The Merchant Of Venice" is described as a 'problem play' there are some key differences in their presentation. The context in which love develops also appears to have a major influence on the nature of this love. Shakespeare uses a variety of different techniques including oxymoron, sonnets and vivid imagery in his presentation of love which in turn helps to create an intimate relationship between the characters. Some may argue however that the theme of 'true love' is not presented between the main characters.