In Gothic literature, places and settings are often both interesting and important; they may stand for certain themes, reflect certain attitudes or adhere to Gothic elements such as a fascination with the past or the presentation of the sublime. However, what is particularly interesting about the presentation of places is how setting is used to reflect and mirror characters, and vice versa. Therefore to suggest that one aspect is more interesting than the other is perhaps an unfair claim when the two co-operate in such a manner. Mary Shelley makes use of the sublime in her novel Frankenstein, and associates vast, natural landscapes with Victor, Walton and the creature, often to highlight the isolation of the characters. Victor mentions the “sublime shapes of the mountains” in the chapter before the creature kills Elizabeth on their wedding night.
BRIAR ROSE-JANE YOLEN Yolen has created an ingenious story of great significance in Briar Rose. Aside from the novel itself being a fictional text, the book stresses the intrinsic importance of fairy tales to the responder. The resilience and power of these tales are emphasised as is the significance of true stories form the past. It is through the examination of the allegorical story told by Gemma and the characterisation used by Yolen that the concept of the hero and heroine is explored. Yolen has enabled her readers to understand the value of the past for the present and to witness both the true horrors as well as the acts of courage in her novel Briar Rose.
But after her father yells at her and tells her if she doesn’t marry she’ll be kicked out of the house; she goes to Friar Laurence for advice. When Juliet takes the potion Friar Laurence gives her she has to think about it. This is something Romeo probably wouldn’t do. But love over comes her decision and she takes it. Nobody tells Romeo that it’s just a potion and Juliet’s not really died, he buys poison and goes to Juliet’s tomb.
He relates these stories to Julia. Winston finds out that he can easily mask his feeling because he finds out that his dad left him and his mother and he distinctly remember his mother showing no emotion when this happens. This leads into a conversation between Julia and Winston (they talk about the inevitability that they will be caught). They talk about confessing and Winston regrets how young Julia is compared to him. Winston suggests they just walk out and never see each other again, to save them from being hopelessly lonely when they are forced to separate.
Albany suffers from the classic case of blindness. Albany is blinded by love. Although Albany disagrees with Gonerils cruel actions towards her father, he only half-heartedly argues his case against her. Albanys fear of upsetting Goneril is exemplified in his response to her demand that Lear dispose of his knights. ’cannot be so partial, Goneril, / To the great love I bear you (I, iv, 309-310).
With that, he asks her as she ever considers wanting it removed. She reply’s “To tell you the truth it’s been so often called a charm that I was simple enough to imagine it might be so.”(Hawthorn pg 230). He then asks her if he can remove it. Georgiana at first feels hurt by her husband’s request then His obsession slowly but surely becomes her obsession to the point where she even tell her husband “The attempt be made at whatever risk, danger is nothing to me; for life, while this hateful mark makes me the object of your horror and disgust, life is a burden which I would fling down with joy. Either remove this dreadful hand, or take my wretched life!
The Picture of Dorian Gray came at a time when the golden age of Gothic Fiction was already well passed. However the novel is seen as a revival of the gothic genre. It also redefined the elements of a gothic novel. It lacked the lovelorn heroine/hero that novels like The Mysteries of Udolpho (Anne Radcliffe) and Dracula (Bram Stoker) thrived on. The only love that is epitomized in the novel is that of the self, which proved to be perhaps its most gothic aspect.
Tom doesn’t seem to care that his affair hurts Daisy, he proves this by take Nick (Daisy cousin) to meet his mistress “I want you to meet my girl” (pg24). He seems to ignore Daisy throughout the book until he suspects Daisy is having an affair with Gatsby, and then he seems to come unglued. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife” (pg130). Tom’s ego takes a hit when he finds out Gatsby wants something that is
This example shows the reader that Aylmer is trying to hide his imperfections by trying to make his wife completely perfect. In the narrative “The Portrait of Dorian Gray,” Lord Henry tempts Dorian to indulge in an immoral lifestyle, carelessly disregarding the feelings of the people he encounter. For example, he seduces a theater perform Sibyl and then soon rejects her. For example, he leads Sibyl into a romantic love and then suddenly tells her to leave his home. Dorian thinks that he can escape from the consequences of his immoral life because the portrait takes the blame for him.
This is highlighted when the Friar succumbs to the desires of the young lovers, “you two shall not be alone, till holy church incorporate two in one”. By permitting the two to wed, Friar Lawrence’s intentions may have been good, but he ultimately contributes to their “doomed” romance by not informing Romeo and Juliet’s parents of their marriage. In contrast to the bliss of the marriage, Romeo is soon banished for murdering Tybalt, where Friar Lawrence remains ignorantly optimistic that he can somehow help the two young lovers remain together. Through this episode Friar Lawrence still strives for the young lovers happiness in hope that all will come together, but he fails to see the destructiveness of Romeo and Juliet’s relationship, thus through lack of guidance can be held responsible for the continuance of their affair. This is further illustrated when Juliet is forced to marry Count Paris when Friar Lawrence presents her with an alternative, “I’ll give thee remedy”.