Nathaniel Hawthorne: the Ambitious Guest and Rappaccini’s Daughter

2008 Words9 Pages
First Name Last Name Instructor Class Date Nathaniel Hawthorne: The Ambitious Guest and Rappaccini’s Daughter English poet John Dryden believed that “the story is the least part of a work, the character the most important” (Muller & Williams 40). In the works of The Ambitious Guest and Rappaccini’s Daughter, author Nathaniel Hawthorne uses the characters to bring both stories to life. Hawthorne also employs the same point of view to tell both stories. A detailed investigation of the characters in these works will be explored, along with the third person point of view style that was deployed by Hawthorne in both tales. A short look into the importance of the descriptive setting as well as tone and also, irony can be found when both of these stories are compared and contrasted. His overall view of the transcendental period author can be found within these publications. The short story publication by Hawthorne, titled The Ambitious Guest, is told through the third person narrative. This point of view allows more leeway for the author to use the “pseudo third person, focusing not on several characters, but one…”(Muller & Williams 41). Hawthorne will use this technique in Rappaccini’s Daughter. However, in The Ambitious Guest, the author will use the third person point of view, but does not shift his focus on just one character. Rather, Hawthorne will shift his focus and tone throughout the entire work. “One September night, a family had gathered round their hearth…” “The faces of the father and mother had a sober gladness; the children laughed…” “…And the aged grandmother, who sat knitting in the warmest place, was the image of Happiness grown old” (Hawthorne 562). The importance of these opening lines is the establishment of the character development of the family involved with the story. Hawthorne is able to paint a picture for the reader of the attitudes and

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