My Neighbour Totoro - Mise En Scene

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An analysis of how the use of mise-en-scene creates meaning for the audience in a sequence no longer than seven minutes in the film “My Neighbour Totoro” The film “My Neighbour Totoro” was released in 1988 (However Disney re-dubbed it as an English version in 2005) and was written and directed by Hayao Miyazaki. In the year 1989 it won two awards at the Mainichi film concours; “Best Film” and the prestigious “Noburo Ofuji award” which honours excellence and innovation in Japanese animation. In this year it also won “Best film” and “Best Japanese Film” at the Kinema Junpo Awards Miyazaki also won the “Special Award” at the Blue Ribbon awards in this year for this film. “My Neighbour Totoro” was also nominated for a Saturn award in 1995. This is a classic Japanese Film by a world class director. This Japanese anime classic is set in 1958 and about a family of a mother, a father and two young girls known as the Kusakabe family; who move to the countryside in Japan while the girls’ mother is sick in hospital. Mei and Satsuki Kusakabe (the children) encounter all sorts of old Japanese friendly spirits, most significantly a forest spirit called “Totoro” hence the title “My Neighbour Totoro”. The sequence of the text I have chosen to analyse begins at 26:50 and ends at 33:50. At the very beginning of this sequence, the character Mei is out in the garden, the sky is a fresh clear blue and the grass a newly cut summer’s green which initially signifies a happy summer day in the country, it also enhances the feeling and theme of innocence around Mei’s character as she starts to giggle and laugh at a bucket with a hole in, this is an important prop because any adult would see this rusty, tin bucket as litter, or a piece of junk, but to the innocent mind of a child (in this instance Mei) that bucket can be a toy, a tool of imagination and something funny to her,

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