Her mother became a polygamist in China and therefore disgraced herself. She never knew her mother well except from the few times she saw her and the stories her grandma told of her. In this An-mei learns about sacrifice from her mother. This story is like the parable because her mother transforms herself into something totally different. The Red Candle is about a Chinese girl named Lindo whose parents chose a husband for her when she was only two years old.
Now that’s growing up without a childhood. Jane Smiley seems like a great parent who cares about her children but to allow her daughters to put on makeup even entering their teenage years just isn’t right. Her girls where prematurely growing up, where behaving beyond their age, and with their only priority being beautiful at all times it seem to help them in the long run. As they burned off the “Barbie stage” and grew into more important things down their lives. Like for example Smiley talks about her older daughter, “Now she is planning to graduate school and law school and become an expert on woman’s health issues, perhaps adolescent health issues like anorexia and bulimia” (377).
She had invested the time trying to make Jing-mei a prodigy because she was her last hope. Jing-mei’s mother had lost two children while in China. Jing-mei’s mother also expected her to be a prodigy because she was a Chinese immigrant; she felt immigrants had to prove that they were as talented as or more talented than Americans were. <br> <br>Jing-mei’s mother didn’t know what she wanted her to do, so she experimented. First came the dancing and singing trails, “ at first my mother wanted me to be a Chinese Shirley Temple†(Tan 450).
Smiley says, “Both of them learned how to put makeup before kindergarten” (376). Smiley’s daughters learned to apply makeup; however the writer did not know who taught them, until she blamed to Barbie as the influence of their girls. Smiley realized that her daughters were trying new things, such as applying makeup. She did not argue with her girls; instead she let her girls to experiment with makeup or perhaps other things as they grow up. Next, Jane Smiley says that girls start to discover and develop their femininity while playing with Barbie dolls.
It all begins with a young girl being born into the world of judgment. Children believe everything they are told. If they are told they are beautiful, they will believe it until someone tells them otherwise. Young girls are impressionable by their mother’s and female counter part’s actions, such as wearing fancy clothes and putting on make-up. In the poem, the speaker states the girlchild has “wee lipsticks the color of cherry candy” (4), showing that she already wants to alter her appearance.
Maybe she has the most privileged lifestyle or she is the prettiest but there is a dominating factor that shows her as inferior to others. For example, in the movie Mean Girls, there is a pack of girls called “the plastics” and their alpha is Regina George, who recruits a new girl named Cady and makes her over into the newest member of the clique. The other girls that are a part of the clique are all fearing of Regina because she is pretty, rich and fits the ideal white high school female. “She’s the queen B- the other two are just her little workers.” (Mean Girls). Gretchen and Karen are Regina’s faithful minions who will do whatever it takes to stay in her good graces.
His sisters, First Corinthians and Lena, whom author Toni Morrison keeps in the background of the novel’s main events, are suddenly transformed into deep, complex characters. The two sisters, who have spent their lives in Dr. Foster’s parlor making fake roses, refuse to be aristocratic sweatshop workers any longer. The fact Corinthians works as a maid even though she has acquired a college degree does not make her feel inferior but rather it liberates her socially. Furthermore, the fact that she finds true love outside of her upper class social status shows that Morrison is making an attack on class consciousness. Lena’s revolt comes out during her confrontation with Milkman.
The dentist asked her daughter if she wanted to sit in the “special princess throne.”She then goes on about other times the princess label has been put on her daughter and about her frustrations with these situations. Then, her daughter asks what’s wrong with princesses? She makes references to real life princesses, and also she talked about the princess trend that has swept across the nation. She states her strong feminist beliefs and questions “what playing Little Mermaid is teaching her [daughter] (Orenstein 671).” She then briefly acknowledges the counterargument and moves on to discussing the start and instant success of Disney’s princess products. She quotes the founder of the princess products, Andy Mooney, when he says that boys pass through phases and so will girls with the princess phase.
She describes Stella-Rondo be inconsistent and unstable based on her being spoiled when they were children. Sister uses this immediately to make a point of her sister’s unappreciation for everything she has ever had. But she never describes how she behaved as a child which can be suggested that she may think the reader can assumed she was the better of the two. Then, she goes to say that out of nowhere Stella-Rondo leaves her husband and returns home with a two-year-old child whom she claims is adopted. Sister sees right through her sister’s façade considering the timing of everything.
This film not only displays how the world expects teenage girls to act, but also how difficult it is for teenage girls to resist acting this way. Mean Girls is a perfect example of how girls, want to be like the plastics. You have the Queen Bee throughout the movie and every normal girl wishing and wanting to be like her. She’s like the Barbie, everyone wish they could