The characters IL Capitano and Tartuffe both display similar characteristics in terms of them both being pretenious, cowardly liars that are very hypocritical. Certaintly they manipulate people in order to gain a higher social hierarchy and talk themselves up to make them seem more superior to others, when in reality they are obviously not. The themes of a performance are used to express emotions and essence of life, they dramatically influence the audience. Through the main themes of love, lucre, lust and laughter it is clearly evident that Molieres Tartuffe is influenced by Commedia Dell'arte. Furthermore, through this evidence it
counterfeiting, or concealing one's true feelings, is part of this motif. everyone seems to lie; good characters as well as evil ones engage in deceit as they attempt to conceal their feelings: beatrice and benedick mask their feelings for one another with bitter insults; don john spies on claudio and hero; don pedro and his 'crew' deceive benedick and beatrice. who hides and what is hidden? how does deceit function in the world of the play, and how does it help the play comment on life in general? a central motif in the play is trickery or deceit, whether for good or evil purposes.
“…I have done the state some service, and they know’t”. Iago is the most heinous villain in Shakespeare. Shakespeare is successful in giving Iago the prefect satanic characterises of a villain. It is Iago's jealousy of anyone who acquires anything that seems better than that which he acquires himself; this is the driving force of the play. As the momentum builds with the force, Iago's jealousy enables him to incite the same sense in others, to use them to his own advantage, in other words; their disadvantage.
It is true to say that a comedy involves ‘men of a middling estate’, in MAAN the protagonists share the company of the Prince Don Pedro, and are socially superior to the watchmen such as Dogberry and Verges. What Snyder is implying is that comedies centre very much on social hierarchy and formalities. The males in MAAN use language in order to demonstrate their position in society, in time of production courtiers were expected to speak in highly contrived language but to make their clever performances seems effortless; this is no more evident than of Benedick who constantly uses wit in order to prove his wisdom to the other characters. In his ‘merry-war’[1] with Beatrice he responds shrewdly and fast-paced, calling her - in response to one of her remarks - a
Both Jack and Algernon are admired by two young ladies who mistakenly believe the men's names to be Ernest, and who adore the men for this very reason. In relating the story of mix-ups and mistaken identities, the ideals and manners of the Victorian society are satirized in a comedy where the characters "treat all the trivial things of life seriously and all the serious things of life with sincere and studied triviality" (Wilde back cover), in the words of the author himself. Oscar Wilde’s comical scenes often take their source in social satire and non-conformism (Baselga 15). Throughout his play, In The Importance of Being Earnest, Oscar Wilde satirizes education, women, and morality. Oscar Wilde satirizes the British education by using Lady Bracknell.
The Motivation of Iago William Shakespeare’s Othello is a story based on betrayal, jealousy, hate and revenge. The villain in the play, Iago, is said to be one of Shakespeare’s most evil characters. On a search for power, nothing is going to stand in his way. His actions throughout the play are a direct result of his trying to attain what he believes is rightfully his. Iago’s mean and insensitive manipulation is geared towards the innocent and ends up causing the destruction of Roderigo, Cassio, Desdemona, Emilia, and Othello.
His comedy is so great that he is able to transcend normal societal rules; Elizabethan England was an incredibly hierarchal society in which absolute respect ought to be shown to those in power, and yet although he is a servant, the Fool’s humorous nature seems to exempt him from the expectation of respectfulness. The Fool is not present after Act 3, and his absence removes the comic relief of the play and plunges it into more serious,
Quince’s pun, ‘for it is nothing but roaring’ (when in conversation with Snug) alludes quick-witted humour. Quince’s double-entendres are also amusing, ‘some of your French crowns have no hair at all…’ Quince’s repartee particularly displays the typical features of a comedy. Thirdly, the use of sarcasm and insults also enforce my expectations of the play being a dramatic comedy. ‘You have your father’s love, Demetrius’ is one example of sarcasm, as said by Lysander. His comment comes across as sarcastic as he is mindful, and perhaps jealous, of the fact that his lover’s father wishes her to marry another man - Demetrius.
The devil invited his self into things that were not any of his concern. His insecurity causes him to lie so that others can feel as pitiful as he does. Luckily, the vindictive predator is unsuccessful with his efforts. The disgusting, disrespectful manipulator resorts to name calling. (I mean how petty and childish can you be?)
The victim is often accused of being too sensitive or making a big deal of the situation. Verbal abuse is manipulative and controlling and is intended to attack the nature and abilities of the targeted victim. Over time, the victim self-esteem is deflated and they become self-conscious around the abuser. The thing with verbal abuse is that may start with simple put-downs or jokes but usually escalates into physical abuse. There are several