A mixture of blue and purple lighting beautifully enchanted the stage and deemed lights were used during necessary scenes. The timing of the music and sound effects were spot on and well accommodated the set. The stage was most impressive of the Diesel playhouse being wide and deep allowing stage props as backgrounds and desks to be easily changed and removed while still leaving a lot of space for the actors to hop around comfortably. Costumes were another major thing in this play as some actors have more than one cast and it was of great help making each cast distinct. Complemented by a highly responsive crowd the actors were able to comfortably act.
It is unique for most film directors to do so, but for this film Spike Lee used his actors in perfect roles. I liked how he based the movie in one block so the audience doesn’t get confused from the story. Using one block instead of multiple cities was cool because he used multiple races to detail the story. With multiple races comes problems with
They pride themselves in being able to build custom boats with the most superior materials available. They have unique designs that allow for optimal comfort, reliability, safety, and functionality. These designs can be seen in 3D by the customer before the ship goes into production, to ensure it not only meets, but exceeds their expectations. They also have technology in place that determines the most efficient way to produce parts, ensuring the least amount of waste is made. They have even recovered costs from waste through scrapping.
It is here that the film gains momentum and a shift in focus as the audience is given insights into the art of making films and details of cinematic history. The beauty and cinematic design of these scenes makes them worthy of close study as do other sequences in the film such as Hugo’s nightmare which recreates the famous 1895 train derailment at Gare Montparnasse. Beyond the stunning visuals and 3D effects there are so many elements to this film that engage the audience and create a wonderful cinematic experience that any class would enjoy, and benefit from, studying it. The film received enormously positive reviews, with many critics praising the visuals, acting
They are both mediators by profession so being able to talk things out and compromise is a huge part of their career and their lives. They exhibit a positive approach towards conflict because they consider the advantages and functions to conflict. The first scene of the movie, a mediation amongst divorcees, illustrates beautifully how they perceive conflict as positive. They know conflict is inevitable so the constructive way to approach conflict is as “a fact of life.” They believe conflict serves as the function of “bringing problems to the table.” They help people join together and clarify their goals. They help clear out resentments and help people understand each other.
The first was the drawing he was working on the wall and the second was the Universal Cell. Matthew Ritchie states that “drawing is a central component to his artistic practice.” The drawing he creates on the wall is a very dynamic piece because of the size of the piece. The piece seems to evoke a sense of chaos and peace. The drawing seems chaotic because of the way the lines intertwine with each other. It also seems to evoke some sort of peace within the drawing because of the fluidity of the lines.
As a Mainstream film Avatar relies heavily on the entertainment value of their audiences in order for it to be successful; Avatar ingeniously conforms to its audience’s expectations whilst enhancing the film with its unique and remarkable visual qualities. A major factor in the success of a film is its visual qualities that it beholds. The film Avatar as a 3-D motion picture significantly pioneered a new era in stunning visual films. Avatar is loaded with luminescent camera shots endlessly detailing the stunning planet of Pandora, the sensory images of binding luminous colors depicting the nature and environment of the planet. Throughout the film there is a beautifully illustrated scene of unity under the Na’vi tree, the Na’vi people are combined in unity and is a remarkable scene, the visual quality of white fluorescent tree colors and shot types of this scene helps assist the feeling of Unity that James Cameron is trying to evoke.
Film Assignment: “The Secret Life of Bees” On the scale of 1-10, 1 being the lowest and 10 being the highest, I would give this movie a rating of 8.5. This movie deserves this particular score because it manages to catch the audience’s attention and put them into the lives of the characters. Both the good and bad times. One of the two scenes that were well done was the scene when T. Ray came to the Boatwright house and lily opened the door and let him in. I feel like this scene was well done because highlights the maturity of lily by letting T. Ray and being able to stand up and speak for herself.
Often a sense of realism is captured to promote a narrative yet more abstract works can challenge the viewer when an obvious theme is not present. In either case, the contribution of set design can be seen to play an integral part in ensuring the intention behind the dance work is realised. When examining Robert Cohan’s work Waterless Method of Swimming Instruction (1974), it is necessary to primarily highlight the extent in which the setting impacted upon the choreography itself. The designer, Ian Murray-Clarke, created a realistic impression of an empty swimming pool on a proscenium setting; the fourth wall was missing to allow for the audience to view the work. Features within the design captured a clear reference to this setting such as the ladder, the railing, perimeter ledge and upper decking, allowing the audience to immediately engage with the nautical theme of the piece.
Sometimes the character will also bring a resolution to impart harmony among the world or nation. In cinema, Christ figures are noted by their benevolent and selfless actions. Actions of the Christ figure may also reflect the actions of Jesus, walking on water, crucifixion, both literally and symbolically, resurrection or wearing a cross. Christ figures are often very easy to pick up on in movies because the plot will so closely follow the life of Christ (Kozlovic, “Journal of Religion”). From his arrival on Earth Superman assumes the identity of Jesus.