Mies van der Rohe: Traditionalism to Modernism

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Ludwig Mies van der Rohe was born Maria Ludwig Michael Mies on the 27th March 1886 in Aachen, the son of Michael Mies, a stonemason, and Amalie Mies née Rohe. He attended the Cathedral school of Aachen from 1896 and left, with no qualification, in 1899. He then attended local trade school before becoming an apprentice on building sites and developing his freehand sketching skills at a decorative plaster company. In 1905 he moved to Berlin where he briefly worked for the Rixdorf municipal department of building inspection as ornamental architecture designer. In 1906 Mies started work in the office of Bruno Paul and, between 1906 and 1908, studied at the Kunstgewerbeschule (School for Arts and Crafts) and at the Hochschule für bildend Künste (School of Fine Arts). While working in Bruno Paul’s office he received his first independent commission, the Riehl House, which was completed in 1907. The Riehl House’s design looked back towards domestic architecture of the late 18th/early 19th century and the English Arts and Crafts movement in line with current architectural tastes. A clear stylistic change can be seen between the traditionalism of the Riehl House and the modernist designs of the Barcelona Pavilion (1928-1929) and Tugendhat House (1928-1930). This essay looks at the influences, beliefs and work of Mies van der Rohe, from 1906 to 1930, and asks how and why he made the transition form traditionalism to modernism? Mies van der Rohe’s first commission, Riehl House, was a success and, the critic, Anton Jaumann and commented that it was so faultless that one would never guess that it was a young architect’s first independent commission. Even in this first independent commission Mies, through his integration of house and garden, reveals a theme which appears in his later modernist designs. Mies followed developments in garden design and was aware of Hermann

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