Matrix and Bladerunner Dissertation

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Dissertation Steven Wilde BA Hons Performing Arts Level Three May 2007 An Investigation Into How the Science-Fiction films The Matrix and Blade Runner, have used, Religion, Philosophy and Social paranoia to structure narrative Contents Introduction 4 Chapter one The Matrix Religion 9 Philosophy 13 Social Paranoia and Anxiety 18 Chapter Two Blade Runner Religion 21 Philosophy 24 Social Paranoia and Anxiety 27 Conclusion 30 Bibliography 32 Introduction. In the following essay, it is my intention to analyze the science fiction films The Matrix (Wachowski Bros, 1999) and Blade Runner (Scott.R, 1982) to discover how they have used religion, philosophy and social anxieties current to their time of release, as a narrative. As it my belief that these three topics are fundamental for a science fiction film to achieve its goal of human exploration. "Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today—but the core of science fiction, its essence . . . has become crucial to our salvation if we are to be saved at all." Asimov. I, (1972). Ever since Science Fiction first appeared on film with George Melies’ A Trip To The Moon, (Meilies.G, 1902), it is a genre of film that has entertained, mesmerised, and provoked debate more than any other. The reason Science Fiction is so effective at this is because the topics and subjects that it uses, no matter how well hidden by special effects and being set in far off futures and alternate universes, are very human topics and subjects. Using religion, philosophy, and current social fears and anxieties as part of its
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