Their enticing sexuality, he believes, tempts men to behave in ways they would otherwise not. A visit to the “flophouse” (a cheap hotel, or brothel) is enough of women for George, and he has no desire for a female companion or wife. Curley’s wife, the only woman to appear in Of Mice and Men, seems initially to support George’s view of marriage. Dissatisfied with her marriage to a brutish man and bored with life on the ranch, she is constantly looking for excitement or trouble. In one of her more revealing moments, she threatens to have the black stable-hand lynched if he complains about her to the boss.
Robin Flores Professor Anderson English 103 25 October 2012 One Flew Over the Cuckoo’s Nest One is to say, woman are portrayed inferior to men because they were never given a position of power, men see themselves superior than women, and are consider as sexual objects. The movie, “One Flew Over the Cuckoo’s Nest” shows the audience that women should stay in a patriarchy system. The female character Miss Ratchet, abused her power as a leader by being over dramatic on her job. The main character, McMurphy never agreed with Miss Ratchet on anything because he feels superior. Two other females that had nicknames are known as a sexual need in the film because McMurphy invited them over to seduce the guard and Billy.
The attitude in Atwood’s Siren Song by Margret Atwood is captured by an image of the sirens described as “picturesque and mythical.” Atwood draws her readers in by having the sirens use their sex appeal to lure in men and force them to “leap overboard in squadrons.” She then goes on and gives the readers the assumption that the sirens are bored with their beauty, and are almost sickened with the same routine and outcome. “Shall I tell you the secret, and if I do will you get me out of this bird suit?” that implies that the sirens are bored. We see that the song is “irresistible and anyone who has heard it is dead or can’t remember it.” This makes us as readers more interested. The sirens trick men with their beautiful song, and lure them into their deadly
One of the ways this is illustrated through is in the second stanza he describes her as being ‘slapped up’. The onomatopoeic phrase suggests men’s sarcastic prejudice view on women as sexual objects; it also emphasizes the challenges the girl is facing in men’s attitudes toward her. Larkin also humiliates the girl by describing the obscene disfigurement to the image of her ‘huge tits... A tuberous cock and balls’. The taboo language helps to demonstrate more than just adolescent immaturity but deliberate and repeated attempts to degrade her by a kind of visual rape. However one could also argue that Larkin seems to justify violence against women by suggesting that access to women is something men have been unfairly deprived of.
Curley’s wife is portrayed as being a whore – but this is only due to the way she dresses, her provocative ways and the way she acts around men, as if she is aware of her femininity. This could suggest that she is only like this because she is bored, like it is something to do – something interesting for a change. She is constantly trying to get people to notice her. But, because of Lennie’s purity and innocence, he doesn’t see her in the way other men do – a sexual object. When Steinbeck quotes “And because she had confided in him, she moved closer to Lennie and sat beside him”, it is clear to the audience that Curley’s Wife is using her sexuality as an object to create some sort of excitement for herself.
Description In Siren Songs: Gender, Audiences, and Narrators in the Odyssey, Lillian Eileen Doherty shows us that the attitude of Odysseus, as well as of the Odyssey, is highly ambivalent toward women. Odysseus rewards supportive female characters by treating them as privileged members of the audience for his own tales. At the same time, dangerous female narrators--who threaten to disrupt or revise the hero's story--are discredited by the narrative framework in which their stories appear. Siren Songs synthesizes audience-oriented and narratological approaches, and examines the relationships among three kinds of audiences: internal, implied, and actual. The author prefaces her own reading of the Odyssey with an analysis of the issues posed by the earlier feminist readings on which she builds.
Female Chauvinist Pigs are women who sexually only objectify other women and themselves. Some women gain empowerment by disciplining oneself from women who are “girly girls”, while simultaneously objectifying such women like going to strip clubs and reading Playboy. Others gain empowerment by objectifying themselves through sexual appeal. Both are an attempt to gain status whether being through the attempt of acting like a male chauvinist or through embodying what society portrays as the ideal object of male desire. As an example, Camille Paglia, in an interview with spin magazine expresses “The people who criticize me, these
He and his men fit the stereotype of men overcoming their feelings, at times hiding their fright and doubts about the journeys ahead. Within the tale of the Odyssey men are also weak to the enchantment of women; they are easily seduced even when they might not love the female character. Take for example when Ulysses falls subject to the charm of the legendary sirens (Homer, 800 B.C.E) he begs his men to let him loose of the ship’s mast in order to be able to get to the sirens. In a way men are looked at as weak when it comes to the female human flesh, this is not only true within The Odyssey but in real life as well. Overall the men in this narrative are very confident because no matter what they believe they will make it home without regard to the roughness of the situation they might find themselves in; this is especially true about Ulysses who is the leader of most of the males.
It is written in free verse, but it is divided into three lines per stanza. This gives the poem a song feel. Also, in the poem the narrator is the siren who starts to persuade the reader in believing the song. The siren sings of how she is miserable sitting on the island and needs help, but she has a secret that she will tell only to you because you are unique and you are the only one that can help her. The poem goes from describing how the siren is so deceptive to how the siren tries to deceive the reader.
Euripides has been accused of being a misogynist as well as the world's first feminist. In your view, do the portrayals of Medea and Jason allow such contradictory interpretations? Euripides' Greek tragic play, 'Medea', depicts a wife's desire to right the wrongs done to her by her husband and in the pursuit of satisfaction, she commits the heinous of crimes, infanticide. The play is set in a patriarchal society, where women are treated as mere tools to satisfy their male partners. Euripides' portrays Medea as both a weak and strong woman, being able to stand up to some of the male characters and simultaneously succumb to their presence.