Malikmata and the Search for Justice

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Malikmata and the search for justice Eloisa May P. Hernandez Film Desk, Young Critics Circle (Appeared in Young Critics Circle Film Desk’s Sine-Sipat: Recasting Roles and Images-Stars, Awards and Criticism for 2003, March 2004) Billed as a horror thriller film, Jose Javier Reyes’s Malikmata is more than meets the eye. At the heart of movie is the search for justice. Justice is supposed to be blind. However, in Malikmata, the poor and marginalized look for justice elsewhere. It is found in the visions of a reluctant heroine. Sarah (Rica Peralejo) is a young woman with the gift of seeing and hearing things before they happen. As a child, she sees her father’s death before it happens. A gift she inherited from her grandmother, Sarah is reluctant to use her gift (she gets a nosebleed every time she has visions) as her mother and her auntie Felicitas Joaquin (Madeleine Nicolas) tell her not to use it since it a curse and “mala-demonyo.” She perceives the gift as “labag sa Bible” and denies herself to use it. Two women, a rich and prominent civic leader Mrs. Ellen Saavedra (played by Barbara Perez) and house helper Ditas (played by Ana Capri) are murdered. Sarah has visions of the murder but is told by her auntie to keep quiet and not to interfere with the investigation. Mrs. Saavedra’s family deals with the police in their search for the murderer so that justice can be done. However, the police investigation is focused only on the murder of the rich socialite. It is as if Ditas was not murdered or her murder did not matter. Who is seeking justice for Ditas? Justice, in Malikmata, is not for all. To add insult to Ditas’s fatal injury, her carpenter boyfriend Rodolfo Magsilang (played by Wowie De Guzman) is accused for her and her employer’s murder. The police investigators assume that Magsilang, a poor young man trying to seek a
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