The seriousness of their love results from the lovers’ disrepudance (?) of artificial language of ‘love’ and superficial code they had tired by at the beginning of the play. This is seen through the development of language form beginning with rhyme (Levin- “Comedy set the pattern of courtship embodied in dance (rhyme)) heavily used in the first act to its replacement of Blank verse which representative of a for more logical and realistic tone. This also reflects a common Shakespearean comment on Appearance versus Reality which is often a deeper theme discussed in tragedy. Tragedy is said to be further represented in Shakespeare’s use of opposites or antithesis.
Deception William Shakespeare’s “Much Ado About Nothing” is a romantic comedy about young lovers and the circumstances surrounding their relationships. It is a captivating tale that discusses the ideas of love, tragedy and loyalty. Deception is one of the central themes in the story and the reason for the love between Beatrice and Benedick, the romance and problems between Claudio and Hero and the ruse of Hero’s Death. One case of deception occurs between the characters Beatrice and Benedick who serve as a relief from the more serious love in the story. Beatrice and Benedick are longtime adversaries who often engage in battles of wit and both swear that neither will ever fall in love.
Othello says to her “It gives me wonder great as my content to see you here before me. O my soul’s joy!” (2.1.199-200). These beautiful and loving words are soon changed to hostility and rage with the thought of Desdemona’s betrayal. Both Desdemona and Hero are accused of being unfaithful through presented “ocular proof”, they are both disgraced by the leading male role, and they are young and inexperienced in the ways of love and both women are extremely forgiving after they have been mistreated by their suitors. Much Ado about Nothing was written by William Shakespeare as a comedy, but it could have very well been turned into a tragedy comparable to Othello.
Lastly, Juliet’s view of love is logical; she does not follow love blindly. Mercutio’s view of love is humorous and cynical. He believes that love is a burden and love is not worth the burden. Mercutio talks to Romeo and says, “To sink in it, should you burthen love—Too great
William Shakespeare establishes Benedick’s character by using diction and imagery to show his changed viewpoint on marriage. Benedick is strongly opinionated and rarely ever let’s his guard down when it comes to feelings or love. After he overhears that Beatrice is in love with him, he ponders what to do. The characterization is established through diction, “And wise, but for loving me; by my troth it is not addition to her wit, nor no great argument of her folly, for I will be horribly in love with her!” (II.3.235-237). He is saying that is might not be wise for loving him, but he swears it won’t be stupid for he is going to be “horribly” in love with her.
The Friar responds with, “Young men’s love then lies/ Not truly in their hearts but, in their eyes jesu maria, what the deal of brine/ Hath washes thy sallow cheeks for Rosaline!”(2.3.68-90). In the first act, Romeo thought himself to be in love with Rosaline. Romeo had been distraught over the fact that his beloved Rosaline was going to become a nun. Romeo would never be able to love Rosoline, or be with her. Friar Lawrence makes fun of Romeo saying that young men only love what they see.
Romeo and Juliet Essay Every person views love in a different way. At times, the way a person expresses their love depends on who they have the emotions for. In Romeo and Juliet by William Shakespeare, Mercutio views love as a joke while Friar Laurence's idea of love is more passionate. Love is shown as a vulgar item when seen through Mercutio's view. “Prick love for pricking, and you beat love down.” (Act I Scene IV) Mercutio believes that love is only about being sexual to one's partner.
You can tell that nobody takes them seriously, especially when Leonato shows no sign of gratefulness that he has captured two men by simply saying “go drink some wine” (Shakespeare 46) As we look into the theories of comedy for the play, it is clear that an option is Freud’s theory. He believes that the essence of comedy and laughter come at the extent of others. Comedy is often a disguised form of anger or aggression. We find ourselves, as well as some of the characters in the play, laughing at the fact that some of the characters are being manipulated into believing one thing from another. Much Ado About Nothing was a difficult play for me to understand at first, but after watching the play and going back and reading it again it definitely helped my understanding of the sarcasm happening by the characters.
Shakespeare echoes key thematic topics by the production of a series of lies that form intro deception at crucial moments. When Hero and Ursula exit and leave Beatrice alone, Beatrice declares, “…Benedick, love on; I will requite thee, taming my wild heart to thy loving hand” (III. i. 117-118). Beatrice expresses her acceptance of Benedick’s love but does not realize the love inside Beatrice exists artificially.
I can just tell I like it. That I would like it. It’s very small…” However the novel, from the very beginning sows seeds of doubt of the strength of the relationship through the insecurities held by Mandras and the doubts in Pelagia’s answer to her lover’s proposal: “‘Of course I’ll marry you,’ she said quietly”. Similarly, The Great Gatsby hints towards a bleaker reality that underlines the passion shared between Daisy and Gatsby. The slow and painful decline out of ‘love’ for Pelagia, mirrored by Mandras’ growth in his desire for her creates strong tension between the two characters in chapter 20 ‘The Wild Man of the Ice’.