Lucha Corpi's Gloria Damasco Series

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Argument/Summary on “Cultural Memory and Chicanidad: Detecting History, Past and Present, in Lucha Corpi’s Gloria Damasco Series” Ralph E. Rodriguez in “Cultural Memory and Chicanidad: Detecting History, Past and Present, in Lucha Corpi’s Gloria Damasco Series” examines Lucha Corpi’s series and what they expose about the development of Chicano identity and the spread of Chicano history. An example of the author’s thesis is when he explains that he examining Lucha Corpi because “she investigates the various historical shifts and constructions of Chicanidad since the Chicana/o movement…more systematically than her Chicano counterparts writing in the detective genre” (Rodriguez). Rodriguez further supports his claim with a number of examples from Lucha Corpi’s Gloria Damasco series. First, Rodriguez states, “Throughout the Damasco series, Gloria’s memories challenge traditional understandings of U.S history and shape-shift into her own construction of Chicana/o identity and community” (Rodriguez). Second, Rodriguez says, “Corpi seeks to build a causally linear narrative about the development of the Chicana/o community, a linearity consistent with the epistemology of the detective novel” (Rodriguez). Rodriguez’s view is supported because he brings different models as to why or how Corpi conveys elements of Chicano history and presents examples about the way she integrates the past with the present: “Corpi’s playing out this connection between past lives and present selves strikes a harmonious chord for the interesting intersections among history, memory, and identity” (Rodriguez). However, Rodriguez infers that Corpi’s saying of the fact that men were the ones who had written the history of Malinche, the information had to have been incorrect and Rodriguez does not agree with that fact: “if Corpi wants to argue that because men recorded Malinche’s history, it must of

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