Life of Pi Storytelling Essay

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Pi condemns ‘those who lack artistry and imagination, the inability to commit to a story’. How important is story telling in the novel In Yan Martel’s somewhat post-modernist novel, Life of Pi, stories are everything. With a novel as dislocated as this, where the author and author’s note is just a fictional pretend journey of Pi, the only thing left is the reader’s extraction of ideas, diverged from the tales of the various narrators. It is the stories that Pi tells himself that allow him to ultimately complete his journey from the sinking of the Tsitum to Mexico. Although, it is not just Pi who requires these illustrious and fictious parables to enrich his life and ensure his survival. It is Martel who uses Pi as his protagonist to convey his message on the lack of colourful stories in the ‘dry’ of the modern, science focused, world. Pi’s ability to tell and believe outlandish stories is the true key to his survival. It is the “feeding”, taming and the anthropomorphising of the 450 pound Bengal tiger, Richard Parker, which allows him to pass through the pain and heartache he had to endure. Without realising it, Pi’s love for stories developed in Pondicherry as his devotion to religion grew. It was religion that offered him a world that connected him both physically, mentally and spiritually to the power of stories, the only capacity he needed to unlock was belief. It was Pi’s gradual acceptance of his fate, and the faith he had in himself, which allowed him to open his eyes not just to just the beauty of the surrounding sea, but to the power and the commanding power and beauty of the Tiger within. Through the ‘selective transformation of reality’ Pi turned his gruelling and grotesque 227 days at sea, into a spiritual journey that began in Pondicherry. Pi’s journey is presented from two different perspectives; the “horrible” story that seems more
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