In The Importance of Being Earnest, the character Gwendolen Fairfax is one of the two female leads. Being a member of high society, Gwendolen is shown to be very sophisticated and confident, but still manages to look a little foolish. She is also the love interest of one of the protagonists of the play, Jack Worthing. Throughout the play, Gwendolen is used as a tool to discuss Victorian values and marriage and her over-confident personality also helps provide humor for the audience, since her values make her look foolish especially because of her large ego and pride. In the play, Gwendolen sets the image for a typical Victorian woman, along with her mother, Lady Bracknell.
It allows lines to move on by removing punctuation. Structurally she presents a poem illustrating the stereotypical dominance of authoritative members in society. This structure effectively enhances the concept of the power struggle between the titian haired girl and the academic scholar Professor Eisenbart. Professor Eisenbart is presented as superior to the schoolgirls and the headmistress through his superior intellect. The use of alliteration ‘head in humbler black’ and ‘superb in silk and fur’ indicates that even the headmistress is dwarfed by his presence because of how elegant and classy he is.
The Meryton ball is significant to the novel as it brings Darcy and Elizabeth together for the first time, as well as Bingley and Jane. We are introduced to some of the most important characters of the story in this chapter, the first being Mr Bingley; the talk of the town’s recent gossip. Austen does not go in to much detail about Bingley’s appearance but does describe him as someone with “a pleasant countenance, and easy, unaffected manners.” Austen briefly mentions Bingley’s sisters, merely describing them as “fine women, with an air of decided fashion”, and brother-in-law Mr Hurst, but focuses mainly on the introduction of Bingley’s friend, Mr Darcy. Despite describing his appearance loosely, Austen focused mainly on the reaction to Mr Darcy from fellow party-goers. First impressions, in 19th century England, were of large importance and what certain people thought of you could influence the opinion of many others.
Yolen has enabled her readers to understand the value of the past for the present and to witness both the true horrors as well as the acts of courage in her novel Briar Rose. A fairy tale may seem a work of fiction, but it can contain truths of horrific events. This can be seen in the way that Yolen uses the character
The constant use of "I" puts us right in the narrator’s head and allows us to empathize with her. Ironic Indirection If we took the narrator’s words at face value, we would believe that her husband is kind and loving, that she really is physically ill, and that women really do get trapped in wallpaper. All of this is questionable at best and mostly dead wrong. This is part of the fun of first person narration – you’re never quite sure if the narrator’s perceptions actually reflect what’s going on. The narrator's tone also clues us into her character – her uncertainty and hesitation at the start of the story, and her determination towards the
“Dear Harriet, I give myself joy of this. It would have grieved me to lose your acquaintance, which must have been the consequence of your marrying Mr Martin.” (Page 52) This scenario conveys Emma’s concern about society as she expresses that she cannot keep friends of lower class than her. Emma’s behaviour reflects her society’s values towards the importance of social order. In this way, Austen criticises yet, by eventually uniting Harriet and Mr Martin in marriage, ultimately reaffirms the harsh divides within the social hierarchy of Highbury, a microcosm which represents the values of Regency England. While Austen questions her society’s views on social order, Amy Heckerling also challenges social
I believe, Jane represents a new type of hero the revolutionary feminist ideology of equality between men and women. Jane realizes that she holds something more important than beauty or accomplishment, she is an intellect, and through Blanche, Jane learns the true value of her character, and her importance to society. Another way in which Bronte, portrays the role of Blanche, is when Rochester gives her complete attention," I saw his attentions appropriated to a great lady…" he seeks her company and her affection alluding to their marriage, he openly confesses his intentions on marrying her to Jane. Rochester manipulates Blanche; she served him as a catalyst to strengthen his relationship with Jane. He deceives Blanche and dupes her into believing an affinity
This suggests that her mind is unstable here because she plans to make sure that Macbeth ‘shall be what thou art promised.’ In other words, she is going to take control to make sure that the witches’ prophecies are fulfilled. It could be argued that Lady Macbeth decides to fulfil the prophecies because she loves her husband so intensely. Lady Macbeth uses very positive adjectives in this scene to describe her husband (‘great’, ‘worthy’, etc. ), in much the same way as Macbeth does in his letter to describe his wife (‘dearest partner of greatness’). They clearly have an extremely passionate relationship and Shakespeare portrays that Lady Macbeth is willing to do whatever it takes to assist her husband.
Aunt Fay writes to her niece Alice in the hope of teaching her about Austen and her writing and what better way to do that than by direct reference to Austen’s most successful text, Pride and Prejudice? Weldon in turn helps the actual reader understand Pride and Prejudice by commenting on the characters’ behaviour and the plot by giving her personal opinion, as well as identifying typical language features and explaining why Austen is valued today. She expresses empathy for Mrs Bennet which encourages the reader to reconsider their own opinion Her use of first person language tells the reader that they are reading a biased opinion, but also helps the reader trust Weldon as she is speaking
In response to those events, their actions caused them further grief, resulting in a life of turmoil and death. Mathilde Loisel “was one of those pretty and charming girls” (Maupassant 38) born into a family of clerks. She wasn’t an extravagant dresser but her beauty was enough to catch even the richest mans attention. She was very discontent with her position in life and felt as if she deserved the finer things. She would daydream of fancy dinners, shinning silverware and delicate furniture.