Goneril and Regan pledge their love for their father, while Cordelia refuses to speak and when probed finally states that she cannot “heave her heart into her mouth,” (Act I p.7 96-97) that she loves him exactly as much as a daughter should love her father, and that her sisters wouldn’t have husbands if they loved their father as much as they claim. An enraged Lear disowns Cordelia and splits her share of the kingdom between the remaining two sisters. This is a prime example of the beginning of destruction across familial, personal and social aspects. Lear pits his daughters against one another in a selfish endeavour to boost his own pride, but in doing this he also destroys a very crucial aspect within the monarchy by removing the one daughter who has not saught out to destroy him and the foundation he had built for his kingdom. In disowning Cordelia this breaks the natural order of things because in doing so he has severed the natural bond that a father and daughter share, as well he has personally destructed himself with this decision because he has given up on his favoured daughter.
In the case of Connie’s mother, she rejected Connie’s attitudes because it often went against the patriarchal society's code of conduct. For example, when Connie glanced into a mirror, her mother always scolds: “Stop gawking at yourself, who are you? You think you’re so pretty?” (Oates 270). However, her mother treated June differently, by praising June all the time, “June did this, June did that, she saved money and helped clean the house and cooked” (Oates 271). June is another victim of patriarchal oppression just like Connie’s mother, a typical “house wife”.
Antigone's downfall is the result of her own doing. She refuses to listen to Creon because she is Polynesis' brother and wants him to be buried and suffers the consequences of disobeying the king. Antigone's death is not deserved for the crime she did. Creon sentenced her to death because he was threatened for his thrown. The readers are saddened because Antigone should not have died and she should be the queen of the kingdom instead of Creon.
There were times where Bone recalls “afterward, Mama would cry and wash my face and tell me not to be so stubborn, not to make him so mad” (Allison 110) which places the blame completely on Bone. I think the biggest factor into engagement was Anney’s refusal to leave Glen even after she knew, Bone’s lack of identity, the pre-existing idea that the family was trash, and her constant desire to please her mother even telling her mother “I could never hate you” after she witnesses the abuse. As Bone gets older she finds even more reason to blame herself for the abuse. She even blames her looks saying that her ugliness explains why Daddy Glen is
Act one, “im talking too much. But you youngsters just remember what I said”. Here is an example of Birling referring to his children as “youngsters” which implies a direct lead to no respect and love. He is unaware that his children are no longer children which make him ignorant. There is less love in the family because there is no connection between them, no connection between father and son.
In your opinion, how responsible are the witches for Macbeth’s downfall? ‘All hail Macbeth, that shalt be King hereafter.’ Act 1 Scene 3 The witches played a crucial part in Macbeth’s downfall; however, I firmly believe that they should not be solely responsible for it. They were the wood, set up and ready for ignition. Lady Macbeth was the kindling, her enthusiasm for her husband to do the wrong thing, caused Macbeth to do what he knew he shouldn’t. And finally, Macbeth’s own ambition was to blame.
When he criticized his daughter wrongly, he learns later on in the story about how senseless he was to judge his daughter blindly for the reason that he couldn't see her true identity. He rejects Cordelia in the beginning and then learns from this mistake after she dies, realizing her worth after she is killed. Lear hated Cordelia because he was hurt by her words, but at the end, he thinks her death is the worst possible thing that could have ever occurred. In the play King Lear by William Shakespeare, Lear learns from making some serious mistakes in how to become a insightful human being, which propels him to have a greater understanding of others. His suffering makes him understand what man really feels
Also, Abby accuses Mrs. Proctor of witchcraft for her own self-interest. She wanted Mrs. Proctor to be killed so she could have Mr. Proctor to herself. Lastly, Arthur Miller underscores the magnitude of personal indiscretion in influencing social upheaval. During the witch trials, people were afraid of their own sins being exposed and they tried anything they could to keep it a secret. John Proctor tried to keep his affair with Abigail from the court as long as possible until he pretty much had to break down and confess it.
Joe Vitale Mrs. Reganato English III – Academic 9 April 2014 Effects of Guilt Guilt, by definition, is an emotion that occurs when a person believes that they have violated a moral standard. It is the single driving force that can push someone off the edge thus into a spiraling downfall of tragedies. Through numerous centuries of literature, guilt has been one of the key themes repeatedly stressed. In this way, the morals of mankind are accentuated, explored and disturbed. In The Tragedy of Macbeth, guilt plays an immense role in the lives of Macbeth and his Queen; guilt is the single attribute that pushes them to the edge and tests their sanity.
In the beginning of the scenes Macbeth goes from noble, to guilt-ridden. He is pushed by his wife Lady Macbeth into killing king Duncan. His head is filled with thoughts of becoming king ,and that this little task is all that is needed for him to rule the throne and gain power. He knows that it is the wrong thing to do, yet the thought of becoming king overwhelms him