More than these, I think Lear is motivated by his idea that he is a good man. One thing that supports is when Kent says “I’ll tell thee thou dost evil,” (Act I, Scene I, Line 175) and Shakespeare writes the king as reacting in a frenzy, going so far as to say “This moment is thy death,” (Act I, Scene I, Line 190). By portraying the king in this way, Shakespeare causes us to judge him as unstable and mental. While his actions thus far have been rash, him reacting in this way, and him banishing his daughter saying, “Here I disclaim all my paternal care, Propinquity and property of blood,” (Act I, Scene I, Lines 117-118). From these thing, it is made clear that Lear is not only rash and insecure but also thoughtless and stupid.
Unlike Caesar, Brutus is able to separate completely his public life from his private life; by giving priority to matters of state, he epitomizes Roman virtue. Torn between his loyalty to Caesar and his allegiance to the state, Brutus becomes the tragic hero of the play. Julius Caesar - A great Roman general and senator recently returned to Rome in triumph after a successful military campaign. While his good friend Brutus worries that Caesar may aspire to dictatorship over the Roman republic, Caesar seems to show no such inclination, declining the crown several times. Yet while Caesar may not be unduly power-hungry, he does possess his share of flaws.
Iago, who is known as the Machiavellian villain perpetuates the tragedy by bringing forward a hamartia or a fatal flaw from Othello. As soon as the play begins, Shakespeare used dramatic irony to illustrate Othello’s view of Iago as an honest and trustworthy man through his repeated description of “honest Iago” and “a man of exceeding honesty” to the audience. Of course that is not the case, the audience views Iago to be “Janus-faced” and deceptive through his constant declaration of “I am not what I am” and how he “hates the moor”. This juxtaposition is created so that the audience can empathise with Othello. I know I can definitely empathise with him.
I would not Cassius, yet I love him well..Set honour in one eye and death I'th' other And I will look on both indifferently.." This shows that Brutus is indecisive of Caesar and is unfazed by Cassius's attempt to manipulate him to conspire against Caesar. Cassius has clearly shown of his distaste for Caesar from Scene 2, he is easily viewed
Facing Brute, Caesar believed him easily. Caesar was so credulous that he relaxed his vigilance. On the other hand, after he got many great achievements, he became arrogant and conceited. He din not care augur’s prediction, and he think protection by guard is a sign of weakness. All in all, Caesar’s failure is the limitation of age and ruling class.
Even though Lear is not a man of intellectual brilliance he is a “great soul,” with the capacity for feeling deeply the sorrow of rejection and abandonment by his own. The character of Lear in “King Lear” was known as a tragic hero, because the play meets all the requirements of a tragedy based on Aristotle’s Poetics via A.C. Bradley’s, the Shakespearean tragic Hero. Aristotle suggests that a hero of a tragedy must evoke from the audience a sense of pity or fear, saying, the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to adversity. King Lear has many common qualities, which appear to be essential to the tragic effect. According to Aristotle’s criteria of a tragic hero, King Lear shows characteristics of a tragic hero by having pre-eminence, tragic flaw and gaining of interest.
Conflicts in The Importance of Being Earnest The outcome of conflicts in drama can reveal values in a play more than the actual conflicts themselves can. One play where this is true is The Importance of Being Earnest, by Oscar Wilde. Set in Victorian England, this play satirises the aristocracy of the time. Usually, authors of that Period used the lower classes as their roving grounds for social commentary, but unlike authors such as Dickens, Wilde used the upper classes, with which he was personally familiar. Oscar Wilde knew the upper class, and he knew that the lives they lead were so dry, boring, concerned with manners and customs, and so perfectly earnest that it was almost inhuman.
A close critical analysis of Twelfth Night can reveal how Shakespeare manipulates the form, structure, and language to contribute to the meaning of his plays. Form Through the form of dialogue Shakespeare conveys the relationship between characters. For example, the friendship and understanding between Olivia, and her servant Feste, the clown, is shown in their dialogue in Act 1, Scene 5. In this scene Shakespeare shows that both characters are intellectuals by constructing their colloquy in prose. Characterising Feste, Shakespeare gives him the aphorism, Better a witty fool than a foolish wit.
To what Extent is King Lear a Tragic Hero? Aristotle said that tragedy is characterised by seriousness and dignity and involving a great person who experiences a reversal of fortune. Aristotle’s definition can include a change of fortune from bad to good, but he says that the change from good to bad is preferable because this affects pity and fear within the audience. Tragedy results in catharsis (emotional cleansing) or healing for the audience through their experience of these emotions in response to the suffering of the characters in the drama/play. According to Aristotle a tragic hero must be a noble person and also hold a “high” status in society.
Alluding to marriage, The Importance of Being Earnest begins with the witty and selfish Algernon. It is Algernon who is the amoral bachelor and has not one problem with that because he believes that "divorces are made in heaven" and is utterly against marriage as viewing marriage a waste of time (118). The reasoning for Algernon's views is a stand in for Wilde's own beliefs. The quote on marriage, which there is several from Algernon, is quite entertaining to the reader that is because the reader can see that Algernon's conclusion of marriage is preposter... The Importance of Being Earnest appears to be a conventional 19th century farce.