Japanese Illustrated Handscrolls

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Japanese paintings come in a variety of formats, including large screens used to partition a room, hanging scrolls that are displayed against a wall, and bound books and albums. The illustrated handscroll, or emaki, has traditionally been a format that is particularly suited for narrative painting. Like a book, a handscroll is an intimate object that is held in the hands and is ideally viewed by only a few people at a time. Composed of sheets of paper or silk joined horizontally and rolled around a dowel, handscrolls are unfurled one segment at a time, in sections about two feet long. Like a book, a handscroll is an intimate object that is held in the hands and is ideally viewed by only a few people at a time. Reading a handscroll can become an almost cinematic experience as the viewer scrolls through a narrative from right to left, rolling out one segment with his left hand as he re-rolls the right-hand portion. The long, expansive format of the handscroll is especially conducive to the illustration of scene-by-scene detail. Emaki often come in sets, so that a long story can be spread out over several scrolls. Japanese handscrolls can reach up to forty feet in length, although their dimensions vary; the standard height is approximately one foot, but they may be much larger or smaller. For instance, a type of handscroll called ko-e was particularly popular during the mid-fifteenth to mid-sixteenth century. These small scrolls were about half the standard height, and may have only three or four text passages with accompanying paintings. Beautifully inscribed with calligraphy and intricately painted, emaki were primarily commissioned by the elite, such as the imperial family, the shogun, or monks from wealthy Buddhist temples. The calligraphy and painting were generally done by official court painters. The text usually precedes the illustration, although in
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