Tybalt stabs Mercutio under Romeo's arm, and he dies after cursing plagues on the houses of the Capulets and the Montagues. Romeo then angry after the death of Mercutio lashes out and kills Tybalt . Benvolio tells Romeo to run, because of the Prince's death threat. Benvolio tells the Prince what happened, amd sice both family's lost a member , the Prince banishes Romeo from Verona . The conflict adds to the story by making it interesting to read, and gives the reader the feeling that anything can happen at any time.
• Context beforehand: A fight between the 2 family members took place, resulting in the death of Tybalt and Mercutio. The Benvolio tells Romeo to leave before anyone catches him. • The mood: serious, horrific and dread as he recounts the events of the fight and death. • The mood is important because it shows the major effects of the family feud (i.e. Tybalt and Mercutio’s death) • Elegy is about a “bloody fray”, but leaves out parts of Mercutio’s insults to Tybalt.
With his very, own hands he murdered Duncan, an honorable king, which drastically changes his perspective on life. Macbeth looks at his bloodied hands and cries from shock because of how hard it is for the mind to fully accept such atrocities in life, especially
It is said that the behind the scenes is what is real as opposed to the play that is shown. Romeo and Juliet Character Analysis Tybalt and Capulet In Act One Scene 5 of Shakespeare’s Romeo and Juliet, Romeo is at a party uninvited and Tybalt catches him. He is furious and begins to curse upon his name and swears on his kids that he will kill Romeo and not feel it to be a sin. Tybalt is illustrated as ill tempered and impatient. He is always looking for a fight.
This scene would be intense to watch as the mood suddenly shifts from love to hate. Shakespeare also uses contrast through Romeos character. At the beginning of the scene Romeo is calm, refusing to fight Tybalt and trying to prevent any fighting. ‘Put thy rapier up.’ After the death of Mercutio Romeo changes. He is now angry with Tybalt and wants revenge.
At the same moment Tybalt recognises Romeo's voice and declares that he will kill him for such an outrage, crashing his enemy's party. In his outrage, Tybalt vows 'Now, by the stock and honour of my kin, To strike him dead I hold it not a sin'. It is this both extreme love and extreme hate that forms the backdrop to Act 3, Scene I. Act 3, Scene I begins with Benvolio, a nephew to Old Montague, and Mercutio, Romeo's friend, conversing. Benvolio is in no mood to fight and as it is a hot day and he fears hot tempers, 'we shall not 'scape a brawl' because there 'is the mad blood stirring'.
Laertes wants to avenge the death of his father by killing Hamlet. The royal family is chaotic and disrupted. The final scene of Laertes and Hamlet's fight, and then finally the death of most characters, this is a scene of Chaos. Then compare this to One Flew Over the Cuckoo's Nest. In almost every sense, everything is ordered.
Tybalt, angry that romeo would not fight, killed Mercutio. Then Romeo, now full of revenge, fights Tybalt and wins. Now the prince, heads if both family's and other people of the town, are surrounding the body of Tybalt and Benvolio is explaining what happened to the prince 4.Tybalt, here slain, whom Romeo's hand did slay; Romeo that
If Hamlet’s hypothesis proves to be true, then King Claudius should exhibit some sort of reaction. Inevitably, Claudius acquits himself poorly as he departs from the performances in a fit of rage. In his later soliloquy, Claudius admits himself to being the cause of King Hamlet’s death: “O, my offense is rank, it smells to heaven; / It hath the primal eldest curse upon ‘t, / A brother’s murder” (III.iii.40-41). Witnessing the play sparks the latent animosity King Claudius has against Hamlet. With such bitterness towards the prince, King Claudius sets forth his own plan to kill Hamlet.
Before he is taken away, Mercutio says to Romeo, “Why the devil came you between us…A plague o’ both your houses! They have made worms’ meat of me. I have it, and soundly too. A plague!” (ll.102-103, 10106-108). Here, we see Mercutio cursing the two houses, and, in