In the early seventeenth-century, English poets used metaphysical poetry to enlighten highly intellectual and often abstruse imagery in their works, which further advanced the poetic style of John Donne. Donne’s poetry makes use of complex images, which are remarkably convincing to the reader. Despite the use of extensive techniques and varying images, the greatness of Donne’s poetry is the simplicity in the ideas expressed. John Donne’s poem, “The Triple Fool,” suggests unrequited love and folly through his use of creative imagery, sorrowful diction, and assertive tone. Firstly, Donne's poetry is highly distinctive and individual, adopting a multitude of images.
These notes serve against the author as they directly challenge. Even if the reader is a philosopher like Kierkegaard, or a learned and intellectual man like Conor Cruise O'Brien, these marginal notes are a challenge and threat for them, to explain more meanings and logical assumptions to the author. There is another meaning by these notes in margins, which is to argue and fight against the author and philosophers of the text. In the second stanza of the poem, Billy also provides a contrasting view to enhance the importance of margins and notes. He begins with considering these notes and comments as “offhand”, “dismissive” and “nonsense”, but he soon explained the importance of such notes for the reader.
Response to “Counting the Mad” When reading the contemporary american poetry anthology I found myself becoming almost lost in one specific poet. Donald Justice, or more specifically, one of his poems,“Counting the Mad” was a poem that was both the most enjoyable work for me to read and at the same time, the most difficult for me to understand, at first. For myself this poem could be compared to a type of riddle due to its ever apparent ambiguity. At the same time, I believe that this poem takes a satirical perspective of mankind. Justice utilizes the sound similar to that of a nursery rhyme to engage his readers.
Sir Phillip Sidney exaggerates this expression to construct a drag of hate over time. Desire is depreciated by the speaker throughout the poem, yet not upon its enlightenment but for its golden coating. Sidney provoked pessimistic diction when calling desire just as bad as, “scums and dregs”. By this implication of downgrading “desire” to the lowest of the low, the reader feels the negativity received by the writer though the speaker. Sidney continues the cynical thought by quoting, “band of all evils”.
This poem, like most of his poems, revolves around a common object or event. But these objects and events are not only what they appear to be, they also have a deeper meaning, they are metaphors for larger issues and themes. By obscuring his theme and working so covertly in metaphor, the reader is forced to come to their own conclusions about the work. This is exactly what Frost is trying to accomplish, through metaphor he strives to make the reader think about his poem, what it means and what he is trying to say. Robert Frost the most famous American poet of the last century was born in San Francisco in 1874.
I Do Not Love Thee Figurative Language: What poetic devices were used in this poem? The poetic device is rhyme. What did these poetic devices do for the poem? It made the poem rhyme. Did these devices help create imagery or communicate the author's feelings?
“A Poison Tree” vs “The Most Vital Thing In Life” We’ll start by defining a poem, as a collection of words that express an emotion or idea, sometimes with a specific rhythm. The Perrine’s Literature structure, sound & sense define poetry, “Poetry as a kind of language that says more and says it more intensely than doe’s ordinary language.” When comes to evaluate a bad or good poetry, to Perrine a poem fails to achieve excellence if it is sentimental, excessively rhetorical and didactic in one hand; The other hand a poem is good when contributes to the achievement of the central purpose, what is it? “How fully has purpose been accomplished?” And “how important is this purpose?” In this case I judge the poem “The Most Vital Thing In Life” (TMVTL) as a bad poem and “A Poison Tree” (APT) poem as a good poem. Because first of all TMVTL is too didactic, which preach or teach, and lacks all the artistry and poetic devices of APT poem, TMVTL poem try to give us a moral and advice, how we can control our feelings and anger before we hurt the enemy. Also it contains excess word to express the meaning of the word.
The poems in this section have to do with “Ars Poetica.” This means The Art of Poetry in Latin. The poets of this collection of poems are actually using poetry to answer the questions of what poetry is, how it should be written, and how it should be read. There is one poem specifically that I felt agreed with my views of poetry and that is Billy Collins’ “Introduction of Poetry.” In this poem, I feel like he is trying to say that people try too hard and over-analyze poems. They sometimes try to force a meaning into a poem because they think that there has to be a reason that poem was written and it has to have some kind of deeper meaning of an issue going on in the world. I think that the end of the poem really points this out with the words “torture of confession out of it” and “they begin beating it with a hose to find out what it really means.” I think that Collins is trying to tell people that they should just read poetry and enjoy it.
To where the first part reads “Are you going to let your emotional life be run by Time Magazine?” comes off as a bad thing and yet he is obsessed with it and can’t help but read it himself is condescending and hypocritical. Profanity in a poem can have many different affects on the read. For instance it can put more emphasis on what the writer is trying to express. Profanity can also make a certain situation feel lighter and more humorous versus serious, or in some circumstances it can offend certain readers if read by the wrong audience. Allen Ginsberg is able to use profanity
Nazik al-Mala'ika's poetry and its critical reception in the West. (Modern Iraqi Literature in English Translation) Arab Studies Quarterly (ASQ) 9/22/1997 by Professor Salih J. Altoma Iraqi Arab poet Nazik al-Mala'ika is a popular figure in Arab literature not just because of his use of creative, experimental poetry. She has also been known for her systematic critiques and her ideas about the artistic, linguistic and intellectual issues regarding modern Arabic literature. However, it is unfortunate that her translated poems are often those which reflect her sadness, pessimism and confusion. It must be noted that some of her poems are patriotic, optimistic and defiant.