Inclusive Architecture Essay

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Inclusive Architecture Let it be understood that Post-Modern architecture has fundamentally conjoined both the modern and traditional aesthetic characteristics of architecture, however, that's not to say that it's a "radical departure" from modern architecture, but rather an re-defined evolution of it. The majority of this influence comes directly from the continuous changing social and communicative aspects of culture. Post-Modern architecture, in fact, has many definitive forms from various cultures, this includes but is not limited to the social, political, economic and religious features. When analyzed and properly understood, it's no wonder why one can conclude that this evolutionary phase must be inclusive of the past and present so as to reflect the continuous ever changing culture; moreover, the stance also gives the basis for a theoretical construct against the Modern Movement. It can be argued that pluralist societies gave birth to radical eclecticism and that the trend could be controlled right at the beginning of one's education in architecture or during the start of a young practicing architect's experience. Modern purism was extremely limited due to the thrown out crucial imperative characteristics of architecture or essentially what makes architecture complex and contradictory. The infamous phrase made famous by Mies van der Rohe "less is more" was counter attacked by Venturi's phrase "less is a bore". The everlasting safe-guard of the worldwide adopted aesthetic was made distorted. Post Modern architecture aims at retrieving what was lost in translation, it implicates inclusive architecture as it "absorbs conflicting codes in an attempt to create the difficult whole" by bringing back past accrued styles and fusing them with the traditional pluralistic ways. Both the modern and traditional language, when coincided, should come to terms in
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