In What Ways Is Thomas Pringle’s Poem “the Desolate Valley” Recognizably a Colonial Work?

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In what ways is Thomas Pringle’s poem “The Desolate Valley” recognizably a colonial work? What, briefly, would a postcolonial response to the poem need to point out? Pringle was an 1820 Settler who wrote recognizably colonial literature. Some aspects of “The Desolate Valley” are typical of colonial work, while other aspects are not so dominantly influenced by colonialism. He makes allusions to militarily images, and refers to the indigenous people with a derogatory name, yet he sympathizes with them and wishes to civilize them, although his methods of civilizing them are arguable flawed. On the surface the poem appears to be a simple expression of awe in reaction to the natural African landscape Pringle encountered, this is displayed through images like “forest-belted mountains” (1) and “green savannahs” (6). However the poem was not simply written in wonder over a valley, it subtly conveys a few typically colonial motifs. One of these is the degradation of locals, as seen through the derogatory name “Caffer” (40) given to the indigenous black people South Africa. Pringle pairs this name with the word “cabins, crumbling” (40) conveying a broken yet ancient people through the alliteration of the c sound and the adjective “old” (40). Pringle also makes military allusions through words like “signal-trumpet” (31) and “kings” (34) referencing the colonial influence of war. The most dominant colonial reference is perhaps that of the Christian religion. Pringle speaks of a “Mission-chapel” (51), and a “pilgrim” (53), he asks “Shall Evil baffle Good?” (54), and says “The prayers of righteous men may seem to fail/ And Heaven’s Glad Tidings be proclaimed in vain” (57, 58). His intent seemed to be a missionary-like one, to bring the wild and barbaric African people to God’s mercy. He urges people to “wait in faith” (59) because even though “for a season Satan may prevail”

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