Lady Macbeth’s Direct Influence of Macbeth The downfall of Macbeth is caused by two unparalleled sides of the same road that is merely Macbeth’s own personal weak conscious and the dominated physiological abuse of Lady Macbeth. The constant manipulation of Lady Macbeth directed at her husband operates as an assault to his duties as a man and spouse, along with substituting her husband’s ambitions and aspirations with her own thriving greed for power. The ability to think to beyond what is needed encourages not only the collapse of sanity in Macbeth but also the rationality of Lady Macbeth. “What need we fear who knows it, when none can call our pow’r to accompt? Yet who would have thought the old man to have had so much blood in him?”
She will be the man here” (519). This quote explains Kreon’s irritation on Antigone. The very moment Antigone buries her be loving brother’s body Kreon wants to take action with killing her because she disobeyed his law also Antigone’s sister, Ismene, because Kreon believes she was part of it too. Kreon believes if he does not kill Antigone he will no longer be one of the best rulers that people will look up too. This quote is important because it explains how Kreon begins to commit hubris.
Ophelia was once flawless, but since her encounter with Hamlet she has fallen into the same madness and wants to kill herself. Ophelia opens up her feelings towards Hamlet, even though her father and brother both warn her not to. Hamlet’s madness causes him to push Ophelia to the point of a mental break down. He drags her into the same hell he is
Loneliness puts The Monster in a mentally unstable position. He believes that he is a monster for the reason being he was created by one. In comparison, Othello’s betrayal is demonstrated throughout the play, but especially through Iago when he confesses to the audience his plan to manipulate and destroy Othello’s love life with Desdemona. Although Othello trusts Iago with anything, Iago hates the “Moor” and is willing to do anything to destroy him. Iago feels that the best way to do so is by manipulating Othello telling him that his wife is cheating on him with Cassio, who Iago coincidently hates as well.
Prospero using a tempest to shipwreck is previous offenders and plotting to sabotage them, and Medea plotting to kill Jason’s new female interest and her kids to avenge her husband’s mistreatment, are both using unjust acts to retaliate their offenders. Their actions, though enacted through anger, are a clear violation of basic moral reasoning, and are a driving theme between both works. In Shakespeare’s The Tempest and Euripides’ Medea the dearth of morality manifested in both main characters, is a prevalent theme similarly expressed through the author’s use of a sympathetic figure and the characters illusion of justice they strive for, yet is differentiated greatly by Medea and Prospero’s concluding acts upon their schemes for vengeance. Medea’s foremost introduction is the details of her husband, Jason’s, betrayal, “but now their love is all turned to hate …For Jason hath betrayed his own children and my mistress dear for the love of a royal bride” (17). A moral breach in marriage is the perfect beginning to a sympathetic figure, as Medea, “lies fasting, yielding her body to her grief, wasting away in tears” (17), Euripides keenly draws upon her devastation and grief towards
Insidiously, violently, they have led them to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs. They have made for women an anti-narcissism! A narcissism which loves itself only to be loved for what women haven’t got! They have constructed the infamous logic of anti-love.” I think this paragraph is stating that men have made women despise and doubt themselves when it comes to expressing their knowledge in any form, particularly in literature. And what is a greater crime than making women hate themselves for reasons that they cannot change?
Lady Macbeth doubts Macbeth’s ambition which ultimately leads her to manipulate him into assassinating King Duncan. She exclaims her doubt in Macbeth’s ambition due to his morals in saying they “. . . are too full of the milk of human kindness/ To catch the nearest way.” [1.5.13] Her masculinity overshadows Macbeth’s when she asserts her power without contemplation and plans King Duncan’s murder.
Even more scandalous is that she married her husband’s brother. It is only normal that anyone would experience chronic and emotional disturbance as a result of this situation. This experience causes Hamlet to go mad and he unleashes his madness on Ophelia, who he feels he may no longer trust. He believes all women are weak and deceitful like
William Shakespeare’s famous play, Hamlet, offers detailed and often callous insights into the role of women, and men, in the Renaissance period in which the playwright lived in. Throughout this time, traditional women were often constantly criticised and treated as inferior to male counterparts. As such, Shakespeare has constructed his female characters to fulfil these traditional roles; however by taking a feminist approach these female characters appear marginalised and degraded. Ultimately, through the playwright’s representation of women, they can be see as worthless, sexual objects , both weak and inconsiderate in nature. Through a modern perception on the playwright’s female characters, women can be seen as worthless, sexually corrupt indiviudals.
Shakespeares portrayal of female characters in the play Hamlet mirrors the way in which women were perceived in his day. The actions of the characters Ophelia and Queen Gertrude are often heavily swayed by the words of the male characters. In the play, the male characters think of the women as archetypes, who do not make choices for themselves, and thus the female characters behave as though they are helplessly caught up in the plot and unable to change their situation’s. Hamlets lover, Ophelia, is by far the most piteous character in the play. Although it was Hamlet who wooed her, and with whom she was intimate it is Hamlet himself who later chastises her for her impious actions.