In Another Country Hemingway

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E. Hemingway “In Another Country” (part I) E. Hemingaway is one of the great 20th century writers. He is an American novelist and a short story writer whose style is characterized by crispness, laconic dialogue and emotional inderstatement. Hemingway’s economical style often seems simple and almost childlike, but his method is calculated and used to complex effect. Hemingway’s basic literary principle is the “Iceberg” principle. The effect achieved by this manner of writing is that of unemotional objective description of reality. But beneath this aloofness there is depth of emotions, and the reader has to grasp the implication hidden between the lines. The present extract of the artistic prose belongs to the belles-lettres functional style. It is the opening of a famous short-story written by E. Hemingway “In Another Country”. The author joins a literary trend called “the lost generation”, thus being concentrated on the post war life of common people, including ex-soldiers. The author makes a practice of “beginning from the middle”. He begins his story as if the reader already knows the time and place of action. It is expressed by the initial position of the article and the pronoun, so-called “implication of foreknowledge” is created: “In the fall the war was still there, but we did not go to it any more. It was cold in the fall in Milan and the dark came early.” The action takes place during the Ist World War in Milan. The war affected soldiers badly, so the main idea of many Hemingway’s works as well as the present one is harmfulness and uselessness of distortion. The author doesn’t speak about the characters’ mood directly. His manner of writing is aloof, non-emotive, detached. He describes the reality objectively. But it still creates a tense atmosphere when Hemingway dwells on the hopeless state of ex-soldiers. The characters’ deep and complicated
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