Implications of Sartrean Concepts on Tughlaq in Karnad's Tughlaq

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Implication of Sartrean concepts of Existentialism to Tughlaq in Girish Karnad’s TUGHLAQ. The need to understand the human self and the socio-political-economic status of the society has always obligated thinkers to give birth to various schools of thoughts. One such school of thought that was more influential and dominated almost all art forms during the 20th century was existentialism. Existentialism is a 20th century influential movement that conditioned all art forms, cinema, literature, psychiatry and politics. Nevertheless, its ancestry dates back to as early as 17th century. Existentialism, in its currently recognizable 20th century form, was inspired by Søren Kierkegaard, Fyodor Dostoevsky and the German philosophers Friedrich Nietzsche, Edmund Husserl, and Martin Heidegger. However, the term “existentialism” came to be associated primarily with the French philosopher Jean-Paul Sartre. The existential movement comprises a number of thinkers who emphasized some common themes, but disagree on some metaphysical grounds as they believe the universe is unfathomable. The common themes that unite these various existential thinkers are anxiety, boredom, freedom, will, and subjectivity, awareness of death, risk, alienation, choice, dread, responsibility and consciousness of existing. The present paper, aims to trace these common themes in the character of tughlaq in Karnad’s Tughlaq. Existentialism paved way for emancipating human thinking from any forms of dogmatic authority. Our life is neither an outcome of genetic programming nor of environmental conditioning: it’s an effect of our choices. We make choices based on our understanding of the situation, our hopes and goals. These value choices that sustain our identities may also be influenced by conditions of deprivation, constraints on socio-political rights and authoritarian terror. Sometimes we
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