Igby and Catcher

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J.D Salinger, composer of The Catcher in the Rye and Burr Steer the director of Igby Goes Down both reflect the concerns of their time. Non conformity is evident as Steers and Salinger Challenge the conventional and the conservative way of life through the use of their comparative mediums., Both Steers and Salinger Each present a protagonist, who goes through a difficult transition from childhood to adulthood. The main characters within each texts are seen to be caught up in a journey of motive and self discovery, Whilst scanning for a meaning to life. Both the Catcher in the Rye and Igby Goes Down present concerns of the composers life. Commonly explored between the two are the ideologies that authority figures need to be respected automatically, and that wealth is the key to success. J.D salinger and Burr Steer also show that they are non-conformist in the form their work was produced. Burr Steers’ Igby Goes Down is perhaps the most accurate variation to Salingers Catcher in The Rye. Both mediums express the rejection of the values of their societies. Both main characters criticize the apparent hypocrisy in their present day societies. the ideology that ‘authority figures need to be respected automatically’ is largely refuted. In particular, this is seen in the ‘mother and son’ relationship between Mimi and Igby. The movie begins with a blank screen yet we can hear heavy, uneasy, snoring. The camera then pans to the right revealing to viewers a brightly lit elegant bedroom. Our attention is drawn to a large bed where the source of snoring is found. Mimi lays asleep on the bed with her two sons Igby and Oliver. The sound over music that viewers can hear is playful and suggests happiness. This choice of musical is dramatically ironic in that happiness is visually unapparent. The two sons are shown to be commiting an act of eauthanasia on their

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