How to Reawaken Sedentary Literature

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Title: How to Reawaken Sedentary Literature It is quite interesting that today in society we tend to assume that the present we live in is the improved version of the past. To boost this notion is the never-ending production of things that are labeled as ‘New!’, whether it is everyday items, prose, music, film or art. Is it possible that, let’s say, a new novel is absolutely new without any relation to any novel written before it? A simple rearrangement of words can now, with the help of the legal system, be branded as creativity, made into property, packaged and sold righteously protected under copyright law. This is something that I always had a hard time understanding since my words were always utilized as a medium through which creativity was expressed or interpreted i.e. means of communication. Primary colors are mixed and then in combination with a paintbrush and a dash of imagination an array of visual art is created - I always pictured words to do the same. This is the kind of read-write book that I would love to be a part of, the one that takes me on a deep, ownerless and artful human journey. In William S. Burroughs’s own words, “The cut-up method brings to writers the collage, which has been used by painters for seventy years…. photographers will tell you that often their best shots are accidents [...] writers will tell you the same” (Language is a virus). Imagine a book with no page numbers. What a liberating experience such a read-write book would be, when the reader can choose a random page to read and this does not result in the inadequacy to actively engage in the story because the cut-ups can be read in any way; creating and forcing the break of the traditional ‘beginning to end’ reading method. This will unleash a flexibility of interpretation that transforms the act of page selection into an inevitable act of creativity, which the reader

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