How Shakespeare Presents Conflict In The First Th

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Shakespeare is very effective in presenting the central theme of conflict in the tragedy of Macbeth. He uses: a variety of dramatic techniques such as the construction of hostile atmosphere; he used a plethora of literary techniques such as monosyllabic words and juxtapositions as well as structural devices such as stage directions to emphasise the conflict, both internal and external in the play. The very first scene of the play is instrumental in setting the tone and mood for the play. Shakespeare employs the violence of nature (thunder and lightning) and the entry of the bizarrely supernatural to create morbidly macabre undertones and overtones. This stark contrast created by the entry of the three witches embodies the concept of there being a cataclysmic conflict between the sinister prophecy of the witches and how this clashes with the Divine Order. This example of external conflict is further emphasised by the second witch’s statement: “when one side has lost and the other has won.” Thus Shakespeare wishes to present the dichotomy between good and evil where evil is symbolised by the supernatural witches and good, the manifestation of fate, is depicted by the Divine right and its specification of the chain of beings. Moreover, Shakespeare dares the audience to contemplate whether or not free will or choice, actually exist. Some critics advocate the theory that the external conflict is between the artificial prophecy and how Macbeth tries to rejuvenate it, and Divine Right. Thus, Macbeth’s tragic demise is considered by many prominent critics such as M. C . Ridley, to be Divine Retribution for him trying to alter the course of poetic justice and Divine Order. This external conflict thereby creates an internal conflict within Macbeth that leads to the unravelling of his tragic flaws and a polar reversal of character that eventually leads to a reversal
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