On their first meeting, “Kamala smiled and played with her fan… and thereupon Kamala laughed aloud” (Hesse 44). Her smiles and laughter represent her knowledge of love and sex that she passes on to Siddhartha. In this case, they do not represent enlightenment, but destiny because she was meant to be his lover and teacher and guide through Samsara. Yet, as Siddhartha falls deeper into Samsara, he becomes unhappy and finally leaves. He only finds himself happy again after he attempts suicide.
In chapter 7 Fitzgerald uses music. The fact that the wedding march is heard just after a heated discussion, when silence in the hotel suite has fallen creates dramatic tension as all can be heard is the wedding march. When the “portentous chords of Mendelssohn’s wedding march” are heard this is a reminder of the sanctity and wealth Daisy’s marriage provides to her. It also reminds the reader of a time Daisy may have been in love with Tom, as they do not now she ever was yet. The fact that it’s described as portentous is symbolising the importance of what is about to become for the married couple this seems ironic has Daisy and Tom have not valued they’re marriage so far yet it is still a serious relationship that is not easily broken.
Once somewhat recovered, by chance, Scottie sees the object he created walking down the street in the form of Judy Barton. This is when patriarchy appears in the movie. He is going to fix this new girl into his former love, whether she likes it or not. He dominates her in everyway, and somehow, in an example of almost stockholm syndrome, Judy falls in love with Scottie, and eventually stops trying to resist her recreation. In the beautiful scene where she steps out of the bathroom, and Scottie sees her for the first time lit up in the neo green light fully transformed, both characters share one moment of happiness, Judy because she finally pleases her love, and Scottie because he brought back an object of desire that had died.
It voices our opinions, come to think of it, if we never spoke we would have no reason for opinions because we will not be heard nor will we be unable to hear others. On the other end of the spectrum is silence, the one of golden value. The lame man might say, “Silence? What does silence do??? It does not say or express anything!” But fortunately for individuals who have mastered the art of silence that is not the case.
Priestley uses the Inspector to attempt to shame the characters into accepting responsibility for their actions and to feel guilty for their wrong doings. Priestley uses dramatic devices to develop the theme of guilt, as the lighting highlights the mood of the characters throughout the play. At the start of the play the family are in high spirits and the atmosphere is extremely cheerful as they are celebrating Sheila and Gerald’s engagement. The language used by Mrs Birling when she says, ‘Our congratulations and very best wishes!’ indicates that she is very happy and pleased with the nights occurrences. However atmosphere completely contrasts from excitement and joy to the feeling of guilt and sorrow
Such singular ideas are what intolerant readers hold near and dear to their hearts, they are the easy convictions that do not change because the reader does not allow them to do so. They are frozen in production, predictable and therefore comforting, but they will never realize the full potential that comes with interacting and discussing, and are therefore
Briefly introduce: the play; the setting; the specific scene; the concept of close language analysis Journey End is a play set in the world war one during operation Michael 1918 which was an unsuccessful mission. At the beginning of the scene it has a calm atmosphere; the soldiers are drinking tea and this atmosphere seems to continue even when they find out about the raid there is no sense of real emergency or shock “We’ve got to make a raid tomorrow “ this could be because this is usual procedure for them. Also Trotter starts reciting a song which foreshadowed the upcoming events “Tis only Pa Ran over by a Tram” Sheriff did this to subtly hint to the audience the death of Osborne who was like a father to the soldiers which creates dramatic
They exchange feelings of regret, sorrow and forgiveness not addressed in the first chapter allowing the reader to relate more closely than before. When they decide to switch from drinking coffee to gin they steer the conversation away from the more harsh memories and laugh about more whimsical recollections, such as the way Henry Dobbins used to carry his girlfriend’s pantyhose around his neck as a good-luck charm. Finally, by the end of the night, O’Brien thinks it’s safe to ask about Martha. The high level of trust in this relationship is more accurately illustrated in the discussions of the complicated aspects of Lt. Cross' relationship (or lack there of) with his love interest Martha. O’Brien’s explanation of how things turned out for Lt. Cross and Martha,
The scene sets the expectation that this was going to be a family drama or a comedy and the focus will be on this happy family environment. Yet, the play undergoes a subtle shift in mood and tone and turns out to be something a lot more serious. It was about how a working-class girl had committed suicide and how each member of the family had contributed to her demise. Priestley’s play had definitely enhanced my understanding of equality and social responsibility. Having read both the book and watched the play, it was fair for me say that Priestley had portrayed his message well.
I also wonder if the generic induction gives enough back to the client, as it seems that there is no need for any personal touch or any need to build up a good rapport with each individual client. As it is in the hypno-therapsts best interest to get each client to their most comfortable and relaxed state possible the generic induction falls short for