How Far Does Shakespeare Present Shylock As a Vict

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Stephanie Webber How far does Shakespeare present Shylock as a victim or a villain? “The Merchant of Venice”, one of Shakespeare’s famous plays, heavily and unsubtly explores the issue of prejudice, through a Jewish character called Shylock. It was written during Elizabethan England. Historically, during this time the Jews had been banished for 300 years. As a result, Shakespeare’s audiences’ knowledge and opinion of Jews would have been solely from prejudice and rumour, not first-hand experience. The racial discrimination towards Shylock in the play would have amused the audience, and the treatment would not have been questioned. Today it is known as a controversial play which is rarely performed because of its insulting nature towards the Jewish race. “The Merchant of Venice” is not a clear-cut play, meaning that there isn’t an obvious line between good and evil. This ambiguous story raises certain questions of whether situations are handled correctly due to perspective and state of affairs. Shylock is a complex character who has a key role in the play, but it is questionable what Shakespeare intended his role to be. It is difficult to class Shylock as either a victim or a villain because his character can be interpreted in different ways. To summarise the play, it contains two main plots which connect near the end. One plot is of the beautiful Portia, whose choice of husband is being controlled by her father’s will beyond the grave. The second is the unresolved hatred between Shylock and a central Christian character called Antonio. Antonio, who desperately needs money to help his good friend Bassanio win the heart of Portia, approaches Shylock for a loan. Shylock nurses a long-standing grudge against Antonio as he has a habit of berating Shylock and other Jews for their usury, exorbitant rates of interest. Shylock offers to lend Bassanio three
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