Bobblehead - Barter | Evergreen Mills: Bazaar, in a dark cave-nook in the corner of the room to the right ofSmiling Jack. Jump over the work bench, it's on the right-most shelves. | | Bobblehead - Big Guns | Fort Constantine: CO Quarters (little bungalow), in the basement. It is in an open safe along with some caps, and the ICBM launchcode. | | Bobblehead - Energy Weapons * | Raven Rock: On the right desk in Colonel Autumn's bedroom: after you pass the huge door from section 2B to 2C, when two Enclave soldiers come out of the right door, take the left door.
The land-plot for the building was 25 feet wide by 100 feet deep and the building it-self was 25 feet wide and 90 feet deep. Ten feet was left bare in the back of the building so that the back rooms would receive some light. Composed of five to seven floors, the first floor of the tenement house usually had one or two stores and a few living rooms towards the back. The main corridor of the first floor was 8 feet wide by 60 feet deep and was usually dark. On the floors above, there were seven rooms on each side of the corridor with four families living on each floor.
Of Mice and Men-Chapter Two Literary Analysis The setting of the bunk helped to reinforce the tone. The bunk house is a long, rectangular building, with a very simplistic description (pg 17). Inside the walls are white washed and the floors are unpainted. It really gives this messy, unorganized, and this worn out feeling. It’s really a “get the job done and leave” kind of a place.
The chandelier stretches halfway down the room, with many birds flying around the chandelier from the bottom right side, curving around the chandelier, and ending up on the upper left hand corner. The birds are smaller at the bottom, but as they fly up from the bottom, the smaller birds transform into large doves. There are two doorways in the room, one on the left and one in the center. The doors have a thick white wooden frame around them. On the walls of the room, there are five different portraits hanging.
"There were battered magazines and a few dirty books on the special self over his bunk. A pair of large gold-rimmed spectacles hung from a nail on the wall above his bed." (67). The setting in this part of the novel sheds light on the life of Crooks, it shows that he is a man of learning with the magazines and books in his room. "And scattered about the floor were a number of personal possessions; for, being alone, Crooks could leave his things about..." (66).
A red liquid like substance was on both the handle and blade of the knife. On a table to the left of the knife was a white towel with a red liquid like substance all over it. It appeared to be folded after it was used. On the floor next to the table and chair was an empty and opened mentos wrapper, ripped in the middle. At the top of the stairs, in the very back of the southern left corner were five shell casings of two different weapons.
The vessels in the central chamber contained charred fruit seeds [3]. A large hewn stone platform is located on the back walls of both chambers. The left chamber contains a three tiered hewn stone platform with vessels arranged in it [2]. A large pair of clay feet was centered on the platform in the central chamber [3]. The feet were surrounded by soil containing charred bits of wood.
There were at least three and often closer to six people to each room, in which the occupants slept, worked, had parties, ate, drank, sulked, wrote letters, cooked, smoked and hung out their washing. In Room 179, which Emily and I shared with Ira, a kind, velvety-eyed girl from a town in the Voronezh region, our belongings were thrust under the beds and into two thin, coffin-shaped cupboards by the door. The fridge chugged like an idling truck. The Voronezh-made television, which Ira turned on as soon as she woke up, crackled and buzzed. The brand-new orange wallpaper peeled gently away from the walls and the rug we bought from the Univermag gave off puffs of red and purple powder at every
Whitman made every attempt possible to stay away from his family’s farm and to not become a farmer, which his father strongly pushed for (Folsom and Price 2). After the fires in New York, he moved back home, but did not go near farming instead turning to teaching (Folsom and Price 2). Walt Whitman’s basic teaching methods were simple and somewhat new to the era. He knew basic reading and writing, but he was a very profound writer and did not discipline children the
“The two stories lying above the rear stage in the tiring house featured open galleries similar to those in which the spectators sat” (31). Inside the Globe Theater, the wooden ceiling was called the Heavens. Above the Heavens was an enclosed area, which was known as the hut. Behind the main entrance, a curtain blocked off the changing area’s for the actors. Shakespeare and friends, “ .