How Does Shakespeare Make Act 3 Scene 1 of Romeo and Juliet Tense and Exciting?

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How does Shakespeare make Act 3 scene 1 of ‘Romeo and Juliet’ tense and exciting? The play ‘Romeo and Juliet’ is set in Verona, Italy; this is seen as a very romantic city and therefore a perfect setting for this play. It was written by William Shakespeare in 1597, but is still very well known and popular, as it has been made into modern films, and so people could try and relate if it is modernised. Act 3 scene 1 is a very important part of the play, as it is the turning point where love and romance turns into hostility and violence, it affects everything in the play including the tragic ending of ‘Romeo and Juliet’. Shakespeare makes this scene tense and exciting by using dramatic devices such as dramatic irony, rhyming couplets and his famous new language throughout the play. At the start of act 3 scene 1, Benvolio says ‘for now, these hot days, is the mad blood stirring’, this line should make the audience excited about the danger because the term ‘mad blood’ implies that a fight will happen, but Benvolio wants to avoid a fight whereas Mercutio is hot-headed. Mercutio makes the scene tense by trying to provoke Benvolio so that he would be in the mood for fighting. Mercutio says to Benvolio ‘thou art like one of those fellows that, when he enters the confines of a tavern, claps me his sword upon the table’ and ‘draws it on the drawer when indeed there is no need’. This provokes Benvolio because Mercutio is accusing him of being hot-headed for no reason, this is ironic because Mercutio is the hot-headed, fiery one while Benvolio tries to keep the peace and avoid a fight. In the prologue the audience are told that the play will end in tragedy, so when Tybalt comes into the scene, the audience are on edge because he is looking for trouble. Tybalt says ‘gentlemen, good e’en. A word with one of you.’ This will make the audience excited because this line sounds
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