Ideology In The Film Lust For Life

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Before answering how ideology operates in Lust for Life, one must first address what ideology is. Ideology is a set of ideas that construct ones ideas, goals, expectations and actions. Not just that but it could also be seen as a set of learnt assumptions and beliefs that sustain opinions. The film Lust for Life is based on the 1934 novel by Irving Stone, which depicts the life of the celebrated but tortured artistic genius, Vincent Van Gogh (1853-1890). Whose character can also be seen as a learnt assumption due to his tortured mind through his love for painting and people. But ideology is portrayed in many other ways, noticeably through the portrayal of women, society and religion.

Vincent Van Gogh without a doubt struggled through life, mentally and physically in health. I believe that it’s the most evident ideology expressed in Vincent Minnelli’s film. He is portrayed much throughout the film as an outsider, most evident with his rejection from his first love Kay, the church, the art market, and finally fellow artist and companion (perhaps his only true companion) Gauguin. To emphasize Van Gogh’s distress with himself and
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His views and opinions on religion differed to those of the church. He slept on the floor with straw as a bed, because he felt that it was the right thing to do when trying to help the poor people in the coal-mining district of Borinage in Belgium. His choice of squalid living conditions did not endear him to the appalled church authorities, who dismissed him for "undermining the dignity of the priesthood." The nature of women portrayed in the film, relates to what 1950’s America’s women were treated and seen as. Ideologically, the sense of social roles in the film emulates the substance of the film. We see again opposites, when looking into masculinity, the insubstantial character of Vincent is set in opposition to Gaugin with his aggressive
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