Although, both Amir and Rahim Khan tell their stories in a formal manner. Hosseini does this to add ferocity to the story, whilst the change of manner of voice suggests a significant change to the reader. Hosseini uses the change of voice to show a turning point within the story as Hassan is brought back to Amir’s memory. The whole chapter is spoken in Rahim Khan’s narrative and is mostly his dialogue in monologue, though readers understand that Amir is listening as he references his presence, ‘‘You’d recognise him.’’ The style of monologue helps tell the story personally so that the readers become involved and indulge in every detail. It also allows sole focus on the story Rahim Khan is telling, once again pointing to extreme significance and importance within the story.
For instance, Mr Collins long, pompous speeches help the reader to realise his character within the novel and how he is a person who is full of pride in himself (which is one of the themes of the novel). Chapter 19 also contains authorial intervention. The authorial intervention in this chapter helps to not only tell the story but commentates the dialogue of the characters “she could not use the short pause he allowed in any attempt to stop him farther, and he continued.” The authorial intervention seems to show Austen’s annoyance towards Mr Collins who seems to constantly talk and helps make the reader sympathise with Elizabeth for being on the other end of his constant speeches. In all, through Austen’s use of the third
Rafael Correa Instructor: A. Moharreri Rhetorical Analysis of “The wisdom of Psychopaths” Ultimately I agree with what the author has to say, he was able to clearly convey and simplify his point across to his intended audience. Briefly I will describe what the excerpt is about, then the audience this excerpt is intended for and its’ purpose. Why it worked and some examples from the excerpt to back it up. “The Wisdom of Psychopaths” is an interesting piece written by Kevin Dutton. It is a piece in which he attempts to change our common stereotype of psychopaths.
A Reality Check With the use of symbolism, Aldous Huxley creates a beautiful novel that in essence warns his audience of the future. Huxley’s clever use of symbols in the Brave New World, is often apparent, but just as often, they are deeper and less apparent. With his satirical references to sex, drugs, technology and the naming of his characters, Huxley relates his novel back to his readers and their future. Without recognizing these symbols, the readers could find this novel confusing and ridiculous; but with each symbolic object and person comes a clearer picture of what Huxley us really trying to convey. When reading the Brave New World, the sexual references are often the first things that stand out to the audience.
Comparable to the beginning of the novel McEwan immediately dives into the plot with the objective being to captivating the reader, he starts the novel with the sentence “The beginning is simple to mark”, and by using the word ‘beginning’ it leaves the reader to suggest that an important event is going to take place. This sentence is used to create suspense that leads the reader to carry on out of curiosity and uncertainty, the short length of the sentence conveys a bluntness which leaves more emotional impact. Ironically the narrator, who is also the protagonist: Joe, claims the beginning of the story to be ‘simple’ yet his frequent digression and evading of the topic makes it seem far from. This is another device McEwan uses, Joe's tendencies to have his thoughts diverted elsewhere lengthens the narrative, essentially building up tension for the readers. McEwan uses the narrator’s euphemistic persona to build tension demonstrated through the way he withholds vital information with the use of euphemisms, “saw the danger”, “running towards it”, the narrator intentionally omits what the situation is by identifying it as “the danger” or “it”.
Ambrose Bierce illustrates effectively how to hold the reader’s attention through suspenseful narration in the short story “An Occurrence at Owl Creek Bridge”. Not only is it a very powerful and suspense filled story, but the fine characterization of the ill-fated protagonist, as well as the stylishly crafted approach of the narrative, flows together to create the irony that so often illustrates Bierce’s writing; and forces us to marvel at its composition. Through descriptive adjectives, detail of events, the structure of the story and inviting the reader into the personal thoughts and life of Peyton Farquhar, Bierce draws out one of the most suspenseful narratives in short story history. “An Occurrence at Owl Creek Bridge” begins by capturing the reader’s attention with the shocking revelation that a man is to be hanged on Owl Creek Bridge. The reader does not know why or who the convicted man is, but immediately curiosity is peeked by such a brutal occurrence.
The settings in chapter two contrast enormously with those of chapter one; The ‘Valley of Ashes’ that Tom and Nick travel through at the beginning of chapter two are bleak and miserable: ‘...and, finally, with a transcendent effort, of ash-grey men, who move dimly and already crumbling through the powdery air.’ This illuminates the repercussions of the American dream that seem to go unnoticed. It wildly differs from the picturesque ‘East Egg’ in chapter one, home to Tom and Daisy, bringing attention to the divide between rich and poor in 1920’s America. The setting of which most of chapter two is set in, the cramped apartment, symbolises the disorder of the situation and the seedy affair of which Tom and Myrtle are involved in. All of the furniture is too large for the small apartment, and the items lying around the apartment are clearly Myrtle’s: ‘Several old copies of Town Tattle lay on the table together with a copy of Simon Called Peter, and some of the small scandal magazines of Broadway.’ Fitzgerald is using the settings to give the reader some insight into what sort of a woman Myrtle is; lower-class and uncultured. The language techniques used by Fitzgerald in the novel successfully tell the story.
2. The way the beginning resemble a scene from a novel is how he described everything that happened and how it did with details to describe the memory. The mood Staples set is worried or scared by using the words discreet, menacingly, worried and uninflammatory. 3. The sentence is a effective follow-up to the opening paragraph because it makes the reader want to know what has happened since then and the reason why it had happened.
Intention is used commonly and very clear in this novel. The author uses a lot of rhetorical questions to get the reader thinking. He lures in the reader with a lot of dramatic irony to get the reader thinking. His intention is for the reader to keep flipping the pages in order to figure out the true ending to the story. In the story the writer begins it with a causal story line, he later follows it with very elusive and interesting concepts to help build the story up to its climax.
The Hunter or The Hunted Suspense entices readers when reading stories to continue reading on, and it keeps them interested in the story. In Richard Connell’s story, “The Most Dangerous Game,” the reader is fascinated with the narrative and with the increase of tension and suspense in the story, so much that he must read on. Richard Connell makes effective use of literary devices, particularly powerful foreshadowing and vivid imagery, to increase tension and suspense in the reader. Richard Connell employs powerful foreshadowing to cause the reader to feel suspense in the story. In the beginning of the story, Whitney’s consideration of the fear of the prey and Rainsford’s dismissal illustrates foreshadowing.